The 1920s and 1930s were a period of cosmopolitan globalization—and no one, perhaps, exemplified it more than Victor Sassoon, business tycoon, trader and industrialist. He’s the subject of Rosemary Wakeman’s latest book The Worlds of Victor Sassoon: Bombay, London, Shanghai, 1918–1941 which traces Victor’s journey through these three cities—and explores how the world economy changes as he travels. After all, it’s a period where the world trading system is beginning to unravel, as British dominance in manufacturing is starting to be challenged by cheaper rivals in Germany and Japan, with arguments for economic policies that seem very familiar to us today.

Some years back as a graduate student enrolled in a mandatory DEI training for college teaching, I distinctly recall raising a question about dealing with the unabashed misogyny, depictions of sexual violence and child abuse bursting out of the primary sources so often used in the history classroom. Encountering More Swindles from the Late Ming: Sex, Scams, and Sorcery, triggered the memory, especially when faced with an array of humorous yet disturbing stories about everyday social relations in 17th-century China.

China’s history under the Communist Party has been demarcated, like geological ages, into neat, self-contained phases. There is the Great Leap Forward (1958-62); the Cultural Revolution (1966-76); and Reform and Opening (December 1978-1989). The bits outside these branded groups of years, including the first nine years of CCP rule, can feel a little fuzzy, while the links between phases are often overlooked.

Ukrainian-born nurse Kateryna Ivanonva Desnytska became a Thai princess at the turn of the 20th century as wife of the Siamese prince Chakrabongse Bhuvanath. This story, with echoes of that of King Chulalongkorn and his English tutor Anna Leonowens (immortalized in The King and I) , has obvious potential for artistic adaptation: it was made into a ballet in 2003. A few years earlier, it provided the basis for a historical novel by V Vinicchayakul, the pen name of Vinita Diteeyont, a prolific Thai novelist. In her version, A Passage to Siam: A Story of Forbidden Love, only recently translated into English by Lucy Srisupshapreeda, Kateryna becomes the young Englishwoman Catherine Burnett.

Ethnic Minority Cinema in China’s Nation-State Building, Kwai-Cheung Lo (University of Michigan Press, February 2025)

Kwai-Cheung Lo’s Ethnic Minority Cinema in China’s Nation-State Building investigates the convoluted relations between cinematic productions about non-Han ethnic minorities and China’s nation-state building project from the early Republican era of the 1920s to the current authoritarian regime in the 21st century.

In a dystopia-lite future, singles in Korea opt for pseudo-marriages under the mysterious Wedding & Life (W&L for short), an exclusive and expensive matchmaking company that hosts the VIP branch of “New Marriages” (NM). In an NM, W&L clients could pay for a new spouse—either a field wife or field husband (FW or FH)—for a stipulated period. With an influx of abbreviations for each department and a list of company-exclusive terminology, the world of  Kim Ryeo-ryeong’s novel The Trunk—recently released as a drama series on Netflix—is corporate and clinical, where emotion is pushed to the edges of the page.