The work of Charles Tripp—professor at the School of Oriental and African Studies (SOAS) for over three decades—has shaped a distinct approach to the study of Middle East politics: an analytical sensibility that is empirically rich, theoretically insightful, and historically sensitive.
TS Eliot concludes his 1922 poem, “The Waste Land”, with three words: Shantih Shantih Shantih. This Sanskrit term for peace is the title of Daryl Qilin Yam’s novella that centers around the implausible idea of a quick snowfall in Singapore in the middle of the night when most people are still asleep. Yam weaves twelve interrelated stories around this snowfall, bringing together a dozen characters from various backgrounds who all find themselves awake at four in the morning.
Ma Thanegi’s roots are deeply planted in Myanmar. She’s the great-niece of a noble scoundrel who once ornamented the court of King Thibaw, her country’s last king, and the great-granddaughter of one of the last queen’s ladies-in-waiting. The daughter of a sophisticated, mercurial intellectual and the brilliant, tempestuous beauty who was his wife, Ma Thanegi has spent her life in Myanmar with the ambition of revealing its beauties and virtues to the rest of the world. She’s achieved her goal through her writing, with six books written in English and published internationally, but until now her own story has been told only in fragments.
“Writers on writing” is a genre in itself, one to which readers flock. However, Indian authors, especially those writing in regional Indian languages, are rarely represented in this genre meant for the internationally-acknowledged the-Western-and-the-famous. Therefore, Hindi writer Geet Chaturvedi’s The Master of Unfinished Things, translated into English by Anita Gopalan, will come as a breath of curious air.
In 2022, Michelle Yeoh became the first Asian actress to win the Academy Award for Best Actress. But she wasn’t the first actress of Asian origin to be nominated. In 1935, Merle Oberon was nominated for Best Actress for the role of Kitty Vane in The Dark Angel, only her second film in the US film industry.
The increasing number of memoirs and novels set in China over the past couple of decades fall into two broad buckets. A handful of Americans taught English in China and returned to write memoirs around the same time as Chinese immigrants to the US and UK began to find success as fiction writers, both in English and in translation. Daniel Tam-Claiborne’s debut novel, Transplants, combines these two viewpoints: a Chinese-American woman named Liz moves to a small town in Shanxi province to teach English and befriends a local university student named Lin.
Macau, to its understandable chagrin, often seems an afterthought: to Hong Kong which overtook it, to Canton when it came to China trade, to Manila and the eponymous galleons when it came to being an entrepôt of global status, in the history of Western colonialism and imperialism in East Asia generally and today when it comes to business and tourism. But perhaps Macau owes its continuing uniqueness to just this. It always was, and remains, a distinct anomaly.
It started as a British experiment in 1933: Could the Malays form an effective modern fighting force? From an experimental company of 25 raw recruits, within 10 years the regiment created legendary heroes in their gallant last stand against the Japanese in Singapore, February 1942.
Amrita Sher-Gil was an early 20th-century Hungarian Jewish-Indian painter, one of the most celebrated women artists in India of the time. Her father was a Sikh aristocrat and her mother a professional opera singer. She started painting in the western tradition, influenced by the likes of Cezanne and Gauguin, and became known for her paintings of Indian villagers. Sher-Gil died at the young age of twenty-eight, supposedly from a botched abortion. Alka Joshi’s latest novel, Six Days in Bombay, is loosely based on Sher-Gil’s story and is a mystery of sorts set not only in Bombay, but also Prague, Paris, Florence, and London, mainly in 1937.
Singaporean debut author Malcom Seah is a writer of originality, scope and ambition, who is unafraid to take on challenging issues, ranging from eating disorders, to sexual abuse, to the complexities of coming out in a conservative society. He is skilled at plotting, marrying his intricate and intriguing plot with elements of experimental fiction.
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