Gaetano Donizetti (1797-1848), a leading contributor to the bel canto opera style, was one of the first composers who channeled drama and emotion to the stage with music in a time when the singers’ part was considered key to conveying emotions instead. His one-act opera Rita,  posthumously premiered 160 years ago, was one such example,and may make the point again when locally-based Italian music director Marco Iannelli revives it in Hong Kong.

Cao Yu’s Thunderstorm, written in 1933 when he was just 23 while studying western theatre and arts at Qinghua University, was the first of his eight plays. Set in the feudal society of China in the 1920s, the tragedy follows the complicated love entanglements in (and within) the Zhou family. Thunderstorm made Cao’s name by spotlighting incest and premarital pregnancy, challenged the conservative male-dominated society of the time, while reflecting the desire for societal change that had grown up during the revolutionary movements of post-WW1 China. The play has been adapted into six films, including Zhang Yimou’s Curse of the Golden Flower (2006). It was probably inevitable that it would one day be adapted for dance.