After reading David Chaffetz’s newest book, you’d think that the horse—not oil—has been humanity’s most important strategic commodity. As David writes in his book Raiders, Rulers and Traders: The Horse and the Rise of Empires, societies in Central Asia grew powerful on the backs of strong herds of horses, giving them a military and an economic advantage against their horse-less neighbors. Persia, India and China all burned cash trying to sustain their own herds of horses–-with little success.

Climate change. The refugee crisis. The rise of social media. These big social questions—and others—inspired journalist Marga Ortigas in the creation of her new novel God’s Ashes, a piece of speculative fiction set in a very different 2023. A transnational crime unites the book’s characters, rich and poor, on a journey throughout Southeast Asia and the Pacific Islands, all coming together in a book that investigates human connection, the plight of stateless people, and environmental contamination.

It’s the 1930s. Amarendra Chandra Pandey, the youngest son of an Indian prince, is about to board a train when a man bumps into him. Amarendra feels a prick; he then boards the train, worried about what it portends. Just over a week later, Amarendra is dead—of plague. India had not had a case of plague in a dozen years: Was Amarendra’s death natural, or premeditated—perhaps orchestrated by Benoy, his half-brother and competitor for the family riches?

In 2009, Fudan University launched China’s first MFA program in creative writing, spurring a wave of such programs in Chinese universities. Many of these programs’ founding members point to the Iowa Writers Workshop and, specifically, its International Writers Program, which invited dozens of Mainland Chinese writers to take part between 1979 and 2019, as their inspiration.