The horse is an important symbol in India’s culture, as shown by the many stories and works we see of Indian royalty and adventurers on horseback. As noted by Mughal chronicler Abu Fazl, “The horse is a means of attaining personal excellence.” Yet the horse isn’t native to India, with thousands of horses imported from Central Asia and the Middle East to meet the demands of India’s riders.

It’s 1981 and Alma Rosen is a thirteen year-old living in New York City’s East Village. She’s mourning the loss of Grandma Miriam, her paternal grandmother who passed away a few years ago and to whom she was very close. Her parents don’t get along and she’s worried her family is going to further splinter apart. This is the backdrop of Tina Cane’s new novel in verse, Alma Presses Play. The book is marketed as a young adult novel, but Alma is still in middle school and the subject matter is just as appropriate for pre-teens as it is for teens.

Written when the composer was just 12, Wolfgang Amadeus Mozart’s “La Finta Semplice” qualifies as a real rarity. After a performance the year following its composition, it dropped from the repertoire and was not staged again until modern times. That Musica Viva’s recent production at Hong Kong’s City Hall was a premiere seems beyond doubt, the only question being over how large a geographical area.

The British Eighth Army’s victory at the Second Battle of El Alamein in October-November 1942 is commonly considered one of the turning points of the Second World War—Winston Churchill called it “the end of the beginning” of the war. Historian and journalist Gershom Gorenberg, however, contends that the true turning point in the North African/Middle East campaign was the First Battle of El Alamein fought in July 1942. And the key to success in that battle was the Allied victory in what Gorenberg calls the “War of Shadows”, a war of codebreakers and spies.