Ahmet Altan is something of a master of the evocative opening line, brief this time: “Some nights he woke to the footsteps of the ants crawling across the Persian carpet.” Although Love in the Days of Rebellion, the second installment in Ahmet Altan’s “Ottoman Quartet”, is a sequel to Like a Sword Wound, it can also be read alone.
A funny and intimate travelogue of one woman’s unexpected adventures in Japan. French illustrator Julie Blanchin-Fujita arrived in Tokyo for what she thought would be a one-year stint, and ended up never leaving.
Shigeru Mizuki’s Tono Monogatari has a complicated lineage. During Japan’s rapid modernization in the early 20th century, a man named Kunio Yanagita set out to preserve Japan’s cultural heritage of magic and the supernatural. Along the way, he met a young writer, Kizen Sasaki. Together they traveled Japan’s Tono region, today about five hours northeast of Tokyo by train, recording folktales and evaluating whether they might be true. In 1910, Yanagita published a chronicle of his travels and the stories he collected: Tono Monogatari (“Tales of Tono”). Many Japanese regard Tono Monogatari as a defining text of Japanese folklore, a Japanese equivalent of the tales of the Brothers Grimm.
At 8 years old, Grace Eiko Nishikihama was forcibly removed from her Vancouver home and interned with her parents and siblings in the BC Interior. Chiru Sakura—Falling Cherry Blossoms is a moving and politically outspoken memoir written by Grace, now a grandmother, with passages from a journal kept by her late mother, reflecting on their family history, cultural heritage, generational trauma, and the meaning of home.
Graham Hutchings writes in his new book China 1949 that “historians have often used a single year as a prism through which to view key changes that are said to have shaped an era”. He goes on to observe (somewhat counterintuitively) that of the years of China’s Civil War from 1945 to 1949, “… the year 1949 seems to have been singled out less often as decisive …” Hutchings seeks to balance the scales of history and to establish 1949 as such a prism.
William Gross (or Grose) was a 19th-century African-American pioneer and hotelier in Seattle that caught the attention of author Amy Sommers. She bases her novel Rumors from Shanghai on a fictional grandson, Tolt Gross, a young lawyer who moves to Shanghai and soon after learns of Japan’s plans to bomb Pearl Harbor.
Is Confucianism a religion, or is it a philosophy?