Love and Other Moods is a coming-of-age story set in contemporary China, about falling in love, learning to adult, finding strength, and discovering one’s place in the world. Naomi Kita-Fan uproots her life from New York to China when her fiancé’s company transfers him to Shanghai. After a disastrous turn of events, Naomi finds herself with no job, no boyfriend, and nowhere to live in a foreign country.
While Asian protagonists are no longer rare in young adult fiction, some cultures seem more prevalent in the genre than others. Think Jenny Han’s books and the various K-Pop stories, as well as Taiwanese-American stories like Loveboat Taipei and Rent a Boyfriend. In an apparent first, Loan Le’s debut novel, A Pho Love Story, adds to this list with a rom-com featuring Vietnamese-American teens. Although the details of the Vietnamese refugee experience may not be familiar to all teens, the restaurant setting and accompanying food most likely will be.
The poems of Song Lin, born in Fujian in 1959, are, according to his translator and personal friend, the poet Jami Proctor Xu, “weavings of history, myth, nature, city, everyday life, melancholy, joy, story, image, and classical and modern Chinese.” This would be a formidable range for any poet, but reading Sunday Sparrows leaves little doubt that Xu was completely accurate in her assessment, which is made easier (for her) and perhaps more profound (for us) by its personal nature.
Can corporate history be art? This question can only be asked if one is not familiar with the fascinating long-term project by the Chinese artist Xiaowen Zhu. Anyone who has experienced Oriental Silk will answer this question with a clear “yes.”
George F Kennan believed that in examining the history of the 20th century, all the lines of inquiry led back to the First World War. Westerners tend to view the First World War through the narrow but compelling lens of the Western Front, but the war was truly global, in part because Britain, France, and other European powers had colonies and allies throughout much of the world. India then was the jewel in the British imperial crown, but as Umej Bhatia shows in his meticulous new book Our Name is Mutiny, the jewel was coming loose due to Indian nationalism and global jihadism, and for a brief moment the Indian revolutionary ferment exploded in Singapore.
“These violent delights have violent ends. And in their triumph die, like fire and powder, which as they kiss, consume.”
A young lady surnamed Yu died after obsessively reading Tang Xianzu’s play, The Peony Pavilion. The Ming/Qing literary critic and editor Jin Shengtan, took to bed for four days after reading certain lines of the same play. The encounter with great literature produces an aesthetic shock, comparable to becoming lovestruck. Since Plato and Aristotle, western literary critics have pondered the significance of these emotions provoked by art. Li Qiancheng’s Transmutations of Desire describes how Chinese literary critics addressed this phenomenon, and composed some of the most compelling descriptions and explanations for it.