In 1934 Gendun Chopel, a former Tibetan monk, arrived in India in the company of an Indian scholar, Rahul Sankrityayan, just after giving up his monastic vows. He would remain there for some time before returning home in 1945 and getting himself arrested on a (probably) trumped-up charge of forging banknotes. While in India, he lived in penury as he wandered around from place to place, gathering material for what would eventually become The Passion Book, a work completed in 1939 which started circulating in manuscript form and was eventually published in 1967, sixteen years after its author’s death.

Baroque vocal recitals are not that rare, even in Kong Kong, but to have two almost back-to-back—Magdalena Kožená followed by the perhaps not-as-widely-known but nevertheless entirely enthralling “La Galanía” ensemble only 48-hours later—is a one-in-a-blue-moon set of events. The latter played a (will wonders never cease?) free concert of 17th-century Spanish and Italian love songs at the University of Hong Kong’s Grand Hall.

John Richard Duffy, whom his friends knew as “Richard” or just “Duffy”, was a successful thirty-three-year-old solicitor and businessman who in 1978 had been working in Hong Kong for eleven years. He was a man who elicited both hatred and affection, and has been described as “a Robin Hood character”. He was openly bisexual, with, if anything, a preference for youths, a man who took innumerable sexual partners and who was contemptuous of the legal restrictions placed upon homosexuals in Hong Kong. In this, and some alleged in perhaps other areas also, he sailed very close to the line, but he did so with much warmth of character and a visible twinkle in his eye. He was, therefore, a popular man to many, although not in the police force, at whom he cocked a continual snook. He had friends across all segments of Hong Kong society, and didn’t mind whether he mixed with taipans, barristers, high officials, or the poverty stricken, as long as he found them amusing.