In Touring the Land of the Dead, author Maki Kashimada writes about one woman’s trauma with razor-perfect concision and an austere beauty.
Shaw Kuzki’s middle-grade novel Soul Lanterns begins in August 1970. A generation earlier, an atomic bomb leveled Hiroshima. Nozomi and her friends have grown up attending yearly memorials and learning about “the flash” in their peace studies class. When a much-loved art teacher takes an unexpected leave of absence, Nozomi begins to wonder about how the war really affected the adults in her life.
Shigeru Mizuki’s Tono Monogatari has a complicated lineage. During Japan’s rapid modernization in the early 20th century, a man named Kunio Yanagita set out to preserve Japan’s cultural heritage of magic and the supernatural. Along the way, he met a young writer, Kizen Sasaki. Together they traveled Japan’s Tono region, today about five hours northeast of Tokyo by train, recording folktales and evaluating whether they might be true. In 1910, Yanagita published a chronicle of his travels and the stories he collected: Tono Monogatari (“Tales of Tono”). Many Japanese regard Tono Monogatari as a defining text of Japanese folklore, a Japanese equivalent of the tales of the Brothers Grimm.
Mizumura Minae’s An I-Novel begins with a caveat: the author herself once suggested that translating the novel, originally published in Japan in 1995, into English was singularly impossible.
The unnamed narrator in Tsumura Kikuko’s There’s No Such Thing as an Easy Job quits a job she loves after developing “burnout syndrome”. Her first career (the reader won’t find out what it was until the novel’s final pages) has sucked up “every scrap of energy” she had. She asks a recruiter to find her an easy job—something along the lines of “sitting all day in a chair overseeing the extraction of collagen for use in skin care products”, she suggests.
People from My Neighborhood is a book about relationships. Kawakami Hiromi’s collection of micro-fiction, itself only 120-pages long, is about the members of the close-knit community in an exurban Tokyo town. For a volume of short stories, the relationships between characters are remarkably strong. Two and three pages at a time, the reader begins to see the tangled network of ties that bind the people from the neighborhood together.
Kiki, a thirteen-year-old witch in training, leaves her rural village for a bustling seaside town. With her, she takes only a bento lunchbox, a radio, and her black cat Jiji. She travels by broom, of course. Broom flight is the only magic Kiki has.