Interrogating the complexities of love, history and the power of naming through refreshing experimentation in language and form, Flèche—winner of 2019 Costa Book Award for Poetry—is a significant and original contribution to Hong Kong poetry as well as to the current scene of British Asian diasporic voices.
Witty, energetic and uncompromising, the Indian-born, Manchester-based poet Reshma Ruia’s latest collection A Dinner Party in The Home Counties challenges contemporary social, racial and cultural divides. In this collection, the poet takes the reader on a vivid, multicultural journey filled with intriguing encounters and enigmatic characters.
Visceral and enigmatic, Ye Lijun’s collection translated by Fiona Sze-Lorrain reveals the intimate relationship between man and Nature. From home-brewed wine, Lake Huai to an intellectual’s return to her hometown, the poems in her first bilingual volume draw on the interaction between the environment and one’s internal states of being, reflecting on the seen and unseen in everyday life.
Ha Jin may be known for his award-winning fiction, in particular Waiting which won the National Book Award for Fiction (1999) and PEN/Faulkner Award for Fiction (2000), but his poetry collection is an ambitious and original volume that explores the irreplaceable significance of home, the honesty of writing, and the language for freedom.
Born and raised in Beijing, Bei Dao spent decades in exile in Europe because of his alleged involvement in the Tiananmen Massacre in 1989. City Gate, Open Up is his eloquent, moving memoir in which the foremost Chinese poet rebuilds Beijing, his fond hometown and lifelong anchor, through poignant memories and portraits, rendering the generations who have lived through such surreal, turbulent times.
Beautifully poised and profound, Louder than Hearts, a collection by Lebanese-born poet Zeina Hashem Beck, articulates the reverberations of home, exile and family history in the 21st century from the perspective of an Arabic woman, feeling her otherness and connection with communities locally and abroad, and her empathy towards the homelessness suffered by the refugees.
Well-researched and devastatingly beautiful, Madeleine Thien’s Do Not Say We Have Nothing is an ambitious book that articulates the reverberating impact of totalitarianism in communist China, as well as the transforming power of friendship and humanity.