Bartle Bull’s objective in the very readable Land Between the Rivers is to demonstrate that the modern country of Iraq is not a mere colonial creation but rather has a historical reality going back millennia.
Author: Peter Gordon
Back in the day, everyone went to China, some already famous—Charlie Chaplin, Marlene Dietrich, Eugene O’Neill, Langston Hughes, Mary Pickford—and some who later would be famous, such as Wallis Spencer, the woman who, a marriage or two later as Wallis Simpson, caused the King of England to abdicate. Her time in Shanghai was the subject of later scurrilous (and it would appear, entirely fabricated) rumors about pornographic photographs, bordellos and something called the “Shanghai grip” (best left to the imagination).
It perhaps takes the resources and curatorial talent of an institution the likes of the British Museum to remove the banality of an overused term like “The Silk Roads” (now obligatorily in the plural) and remind us what the fuss was all about.
In our book Painter and Patron, about the Códice Casanatense, an album of annotated Luso-Indian watercolors produced in Goa ca 1540, my co-author Juan José Morales and I noted that the both the paintings and annotations indicated both considerable and rather granular knowledge of the people and places all over Asia, Persia, Arabia and East Africa, as well as familiarity with descriptions in Portuguese sources as yet not formally published at the time. How this happened, we could only guess; Jorge Flores’s Empire of Contingency: How Portugal Entered the Indo-Persian World, although it deals with a period from a few decades to a century and a half later, helps explain what was going on.
Opera Hong Kong’s Turandot, the classic story of a Chinese ice princess melted by implacable love, debuted in a new atmospheric production by well-known Chinese Director Jia Ding at the Hong Kong Cultural Centre on 10 October 2024.
Pakistan’s politics is so complicated that it can be hard to determine either a trajectory or even a throughline. If Tahir Kamran’s enormously-detailed Chequered Past, Uncertain Future is any indication, this is not due to any failure of imagination. Kamran is focused mostly on the country’s often fraught relationship with democracy, but leaves one with much the same impression about foreign and domestic policy and issues of Pakistani identity.
Electrification is likely not the first thing that comes to mind when reflecting, as it were, on Hong Kong. But in Let There Be Light, a history of China Light & Power (CLP), Mark Clifford convincingly makes the case for the centrality of electricity in the Hong Kong story. Electricity not only made Hong Kong’s success possible, but it also serves as an illuminating prism through which to look at and rethink much conventional wisdom about Hong Kong. Intertwined with this narrative of political and economic development is the larger-than-life persona of Lawrence Kadoorie, who headed CLP for five decades.