Redolent of the ubiquitous Indonesian kreteks, Cigarette Girl follows three generations of two Javanese families from the time of the Dutch surrender to the Japanese in 1942, via the crackdown on the communists and the massacres of 1965, to the present.
How do you forge an identity for yourself if—depending on how you look at it—you are either half this nationality and half that nationality, or both this nationality and that one, or neither this nationality nor that one? And what sorts of relationship does fiction bear to fact? The Fortunes explores such questions through the lives of four Chinese Americans, one a figure only glimpsed in history, two of them well-documented historical figures, and one of them invented from scratch. All four of them are here treated as characters in linked novellas that build to a novel, and all of them are intimately, and movingly, realized.
Singapore Love Stories is a collection of seventeen short stories, from Singaporean and Singapore-based writers. The anthology is edited by local author Verena Tay, who contributed “Ex”, while Australian expat author Raelee Chapman, who contributed “The Gardener”, is credited as “anthology coordinator and compiler.”
The Cauliflower® is a playful and provocative investigation of faith, and of how a spiritual master’s legacy is ensured. It raises many questions, including, even before the book’s been opened the ® symbol in the title. It is perhaps a joke that, notwithstanding people’s best attempts, ideas can’t be trademarked. Fifty pages in, one may well start asking whether this is a novel at all or whether that even matters. Although The Cauliflower® does have a reasonably conventional narrative thread running through it—the biography of Sri Ramakrishna, the beloved, mid-19th-century Hindu guru, as told, in the present tense, by his nephew, Hriday—it includes much else besides.