In 2015, Indonesian-born Singaporean author Clarissa Goenawan won the prestigious Bath Novel Award for unpublished and self-published novelists for her novel Rainbirds, which—some two years later—is now seeing the light of day.
White Chrysanthemum memorializes Korean comfort women—women forced into sexual slavery by Japanese occupying forces during World War Two. In her debut novel, London-based Korean-American writer Mary Lynn Bracht explores the effects of these women’s abductions on their families and on wider society, and celebrates the power of women to survive horrific circumstances.
This is an ably edited and exciting collection from the intersection on the globe where East meets West, an area often neglected in surveys of world literature—there are few translations of works from Georgia available in English.
Yuki Means Happiness combines, among other elements, two love stories—one of romantic love, the other of a woman’s love for a child not her own —an exploration of divergent cultural expectations, a warning about the terrifying ease with which we can do damage to each other, in particular, the ease with which parents can do damage to children, an avowal that we can overcome such damage, and a sort of love letter to Tokyo.
Kevin Kwan is a Singaporean relocated to New York, and Rich People Problems is the third of his rollicking romps of money and status in Asia. The first, Crazy Rich Asians, a brilliant title, and a brilliant idea, was a smash-hit success. It is currently being made into a movie which seems certain to be a riot. The three novels follow a core cast of characters, but each can be read as a stand-alone title.
Balli Kaur Jaswal’s teasingly entitled and intricately plotted novel incorporates multiple storylines with elements of rom-com, mystery, and family saga. The main protagonist, Nikki, is a 22-year-old, single, independent-minded university drop-out in London. She lives alone above the pub where she works while she searches for her calling, and for love. In the way of adult children everywhere, she is breaking her parents’ hearts with her choices. But her parents are Punjabi immigrants to Britain, and so as well as negotiating all the usual intergenerational pitfalls, Nikki must also negotiate diverging cultural expectations, both between herself and her family, and also between herself and the wider Punjabi community.
Hong Kong Women in Publishing is an organization that promotes the status of women working in publishing and related fields and publishes an annual anthology of members’ writing and artwork. Imprint 16 is the latest volume in the series.