Pakistan was once prime territory for Western travel writers. It offered an attractive combination of subcontinental color and Central Asian romance, plus a lively history and a hospitable population speaking excellent English. Geoffrey Moorhouse, Dervla Murphy and Wilfred Thesiger passed this way, among many others. In The Great Railway Bazaar, Paul Theroux even pondered the attractions of Peshawar as a place of retirement.
Eka Kurniawan is the Quentin Tarantino of Indonesian literature: a brash wunderkind, delivering gleeful references to pulp fiction, lashings of stylized violence, and an array of characters and scenarios that far surpass the tropes and clichés which inspire them. But as with Quentin Tarantino, one might occasionally wonder just how much substance lies beneath the indisputably stylish surface.