Contemporary Blue-and-White: Turkish Ceramics is an exhibition featuring some forty ceramics by by Mehmet Gürsoy and Nida Olçar, two award-winning contemporary Turkish artists. This is so-called “İznik pottery”; finely-decorated ceramics have been produced in İznik, the ancient Nicaea, since the last quarter of the 15th century.
Balancing on a narrow boat in the middle of Aberdeen Harbour—the Jumbo Floating Restaurant in the background—were two dancers from the Hong Kong Ballet in a perfect pose, the red of their shoes and shorts popping against the red of the boat’s lanterns. In the background Hong Kong Ballet Artistic Director Septime Webre was giving his feedback on the shot; photographer Dean Alexander was trying to capture the moment.
Bandes dessinées are a francophone tradition; to call them “comic books” is do to them a disservice. The English term “graphic novel” isn’t quite right either, since a bande dessinée might, as is this one, be non-fiction; and while the artwork in contemporary English-language comics is not as dire as it once was, the emphasis is, as the term implies, as often as not on “graphics” rather than work in traditional media.
Not only is The Silver Age: Origins and Trade of Chinese Export Silver a useful companion to the Hong Kong Maritime Museum exhibition of the same name, the catalog has enough material, extending well beyond the exhibition, to be a valuable volume in its own right.
This special exhibition at the Hong Kong Museum of History makes considerable use of audiovisuals, especially video, which have the dual advantage of not requiring insurance and holding the interest better than, say, incomplete pots which, however interesting, can also be somewhat dry.
Originally from Spain, Adolfo Arrantz’s day job is Deputy Head of infographics and illustration at the South China Morning Post.