Connoisseurship is an elusive concept. What makes wealthy and refined collectors tick? Where does their obsession for the object come from? The Gulbenkian Foundation in Lisbon celebrates the 150th birthday of founder Calouste Gulbenkian’s birth with a show “A Gosta pela Arte Islâmica” that tries to answer those questions.
It seems somewhat surprising that not a single one of Leonardo da Vinci’s several thousand drawings had ever been exhibited in Hong Kong, but that was apparently the case until the opening of the “Art and Science, Then and Now” exhibition, running at the City University of Hong Kong Exhibition Gallery through 15 December.
When psychedelic rock music came to Southeast Asia via American GIs during the Vietnam War, it greatly influenced the music scene in Cambodia. Cambodian Rock Band, a new play running in Chicago through May 12 celebrates this resulting music that not only abruptly went away in 1975, but for the most part hasn’t been performed since then. Playwright Lauren Yee centers her story around the interaction of fictional band called The Cyclos with the very real person who directed the terror of the Tuol Sleng torture center, a former school that was converted in a prison during the reign of the Khmer Rouge. Only seven people survived Tuol Sleng.
Literature comes in many forms; sometimes it is sung.
Film can tell a lot about a place and time, but not many film industries have gone through as much change as China’s. Not only has the Chinese film industry transformed as the politics of the country have changed from the years of silent movies to the Communist era, but records of the pre-Mao era largely succumbed to political movements like the Cultural Revolution, which outlawed everything old and western. It’s a miracle that film advertisements and movie magazines from the period survived at all, and in his new book, film critic and historian Paul Fonoroff presents a stunning collection of 590 illustrations, mainly movie magazine covers, that he found in Hong Kong and in flea markets around Southeast Asia.
The vast majority of silverware in Thailand does not possess any reign or maker’s mark or other indicator as to date or place of manufacture. Most of the marks found are Chinese “chop marks”, stamped onto the underside of the silver object, perhaps with the aim of validating authenticity. Sometimes, the Chinese characters were transliterated into Thai from the Chaozhou dialect although this never became common practice.
Western complaints about Chinese-manufactured copies are nothing new. In 1801, a certain Captain John E Swords approached Gilbert Stuart to purchase a copy of the painter’s famous portrait of George Washington. Stuart, who had burned before, extracted a promise from Swords as a condition of the sale that he would have no further copies executed.