The Teatro Dom Pedro V is a gem. Built in 1860, it both looks like and is a traditional theatre, with gold-fluted columns, plaster molding and orchestra pit. It is, for better or worse (and in many ways better), small with fewer than 300 seats. One can hardly think of a more idyllic place in which to perform opera, yet Solomusica’s production of an opera buffa double bill over Easter weekend was the first there in several years.

Hong Kong can be a curious place. Ghost Love is a new Putonghua-language chamber opera, conceived and written locally, receiving what is—insofar as I can tell—its world premier this weekend, and yet, despite a number of attractive posters placed around town, there is hardly any mention of this in the press or online.