Writers, diasporic as well as those native to the Indian subcontinent, have used the Partition of India to capture the pain and the destruction it caused to millions of families. In Vaseem Khan’s Midnight at Malabar House, Partition constitutes the backdrop of a detective novel with Inspector Persis Wadia as the lead. It is not just the time and the place that are unusual; this fictional detective is India’s first woman police officer (some two decades before one was actually appointed).

Residents of Qingdao or attentive followers of local news may have heard of the affair I wish to discuss. On the 14th of August 2013, during a routine fire-safety inspection, a worker from the residential committee of Shinan District’s University Road discovered a heavily decomposed corpse by a small building inside the courtyard of Number 5 Longkou Road.

The Chronicles of Lord Asunaro is a curious little volume. In length, perhaps 10,000 words, it is long for a short story but short for a novella. The protagonist, a minor feudal lord in late Tokugawa Japan, was an actual person (apparently: like much else here, it is hard to be sure), his life heavily fictionalized according to the author’s note. While labeled a “tale” or “story”, the narrative in fact lacks much of might conventionally be called a plot.

Like millions of Indonesian female workers abroad, Mega Vristian, the author of “The Jade Bracelet”, works as a live-in maid, performing domestic and care work. Their labor is indispensable in the global/regional labor market, which is in need of cheap, young female workers. At work, they face various forms of exploitation. It is this experience of inhuman working conditions that encourages some of them to take up a pen to tell and share their stories—sometimes in the form of a short story like this one.