Residents of Qingdao or attentive followers of local news may have heard of the affair I wish to discuss. On the 14th of August 2013, during a routine fire-safety inspection, a worker from the residential committee of Shinan District’s University Road discovered a heavily decomposed corpse by a small building inside the courtyard of Number 5 Longkou Road.
My books all begin with photos, photos from my collection that show Hong Kong in the late 19th and early 20th century. I choose each photo for the stories it has to tell—some obvious, others that need a closer look to uncover.
The diva is a nearly universal phenomenon. When Tosca sings in Giacomo Puccini’s opera of devoting her life to art and love, she speaks not just for herself but for a tradition of divas connecting Rome’s Teatro Argentina to Shiraz’s mystical soirées, to the pleasure pavilions of Delhi, to the entertainment quarter of Yangzhou.
Like millions of Indonesian female workers abroad, Mega Vristian, the author of “The Jade Bracelet”, works as a live-in maid, performing domestic and care work. Their labor is indispensable in the global/regional labor market, which is in need of cheap, young female workers. At work, they face various forms of exploitation. It is this experience of inhuman working conditions that encourages some of them to take up a pen to tell and share their stories—sometimes in the form of a short story like this one.
Excerpted from Sell Your Bones, a new collection of poetry by Reid Mitchell (PalmArtPress, Berlin, February 2019). Reprinted with permission.
The vast majority of silverware in Thailand does not possess any reign or maker’s mark or other indicator as to date or place of manufacture. Most of the marks found are Chinese “chop marks”, stamped onto the underside of the silver object, perhaps with the aim of validating authenticity. Sometimes, the Chinese characters were transliterated into Thai from the Chaozhou dialect although this never became common practice.