Xu Xu (1908-1980) was one of the most widely read Chinese authors of the 1930s to 1960s. His popular urban gothic tales, his exotic spy fiction, and his quasi-existentialist love stories full of nostalgia and melancholy offer today’s readers an unusual glimpse into China’s turbulent twentieth century.
Hong Kong at the beginning of a new millennium—a teeming city where ritual, religion, the spirits of the dead and the spirit of enterprise meet and clash. For Reini “Kim” Kranich, a young German aid worker obsessed with death, Chinese underwear, Emily Dickinson and cockroaches, it’s a place of fragile hopes.
From the unique standpoint of an American woman who married into a Japanese family and has lived in Japan for more than thirty years, Rebecca Otowa weaves enchanting tales of her adopted home that portray the perspective of both the Japanese and the foreigner on the universal issues that face us all—love, work, marriage, death, and family conflict.
We all belong somewhere: a place of our birth, the origin of our being. But there are those who belong to nowhere, an existence without a motherland, or circling in-between, as if in bardo. The Tibetan Suitcase is a story of the peripatetic life of the protagonist, an Indian-born Tibetan.
It is 1931 in colonial Singapore. A Chinese bondmaid of fifteen stands trial for her aunt’s murder. Mei Mei, born on the inauspicious double seventh day, feels her doomed destiny taking over.
In a society rife with conflict and a world on the edge of extinction, who should we turn to for answers: society’s strongest or weakest? This is the question Takuji Ichikawa, one of Japan’s most imaginative and unusual authors, poses in The Refugees’ Daughter, a magical modern parable for our troubled times.
At the dawn of the Ming Dynasty, the emperor will do anything to ensure the future of his empire. Building the Forbidden City in fulfillment of his father’s dreams is only the beginning. But few people share the emperor’s vision.