An American Bum in China: Featuring the bumblingly brilliant escapades of expatriate Matthew Evans is the remarkable but true story of an Iowan misfit. At the age of twenty-one, cancer survivor Evans flees his Mississippi River hometown of Muscatine and heads to China in pursuit of love. He ends up destitute, deported, working as a professor at a prestigious university, homeless, imprisoned, and an accidental participant in the 2014 Hong Kong protests.
The last book in a trilogy of explorations on space and time from a preeminent scholar, The Boundless Sea is Gary Y Okihiro’s most innovative yet. Whereas Okihiro’s previous books, Island World and Pineapple Culture, sought to deconstruct islands and continents, tropical and temperate zones, this book interrogates the assumed divides between space and time, memoir and history, and the historian and the writing of history.
The Emergency Detention Act, Title II of the Internal Security Act of 1950, is the only law in American history to legalize preventive detention. It restricted the freedom of a certain individual or a group of individuals based on actions that may be taken that would threaten the security of a nation or of a particular area. Yet the Act was never enforced before it was repealed in 1971.
Yone Noguchi: The Stream of Fate is the first full-length biography of the pioneering international Japanese poet Yone Noguchi (Noguchi Yonejiro, 1875-1947).
A translation from Italian of the memoirs of Giuseppe Salvago Raggi, minister of Italy in Beijing from 1898 until 1902. In 1900, Raggi, his wife and child, lived through the 55 days of the Siege of the Legations. This book contains the section of memoirs related to his service in China, just before and after the famous Siege.
Xiang Kairan, who wrote under the pen name “the Unworthy Scholar from Pingjiang,” is remembered as the father of modern Chinese martial arts fiction, one of the most distinctive forms of twentieth-century Chinese culture and the inspiration for China’s globally popular martial arts cinema. In this book, John Christopher Hamm shows how Xiang Kairan’s work and career offer a new lens on the transformations of fiction and popular culture in early-twentieth-century China.
Amid early twentieth-century China’s epochal shifts, a vital and prolific commercial publishing industry emerged. Recruiting late Qing literati, foreign-trained academics, and recent graduates of the modernized school system to work as authors and editors, publishers produced textbooks, reference books, book series, and reprints of classical texts in large quantities at a significant profit. Work for major publishers provided a living to many Chinese intellectuals and offered them a platform to transform Chinese cultural life.