Collecting objects gives enormous pleasure to approximately one third of the population, providing such benefits as intellectual stimulation, the thrill of the chase, and leaving a legacy. On the other hand, the same pursuit can engender pain; for example, paying too much for an object, unknowingly buying a fake, or dealing with the frustrations of collection dispersal.
This is the story of the Reeves Collection of botanical paintings, the result of one man’s single-minded dedication to commissioning pictures and gathering plants for the Horticultural Society of London.
A fascinating and innovative study of the Malay performing arts of Kepri, Performing the Arts of Indonesia is the first of its kind. The volume, written by fifteen contributors, adds greatly to our knowledge of the cultures of a region previously receiving little attention and brings to light previously unknown material.
On 13 April 1919, British and Imperial troops under the command of General Reginald “Rex” Dyer gunned down between 400 and 600 Indian protestors at Jallianwala Bagh, a garden near the Golden Temple in the city of Amritsar in the Punjab state of India. Many more protestors were wounded. The shooting lasted for ten minutes. Many were shot as they ran for cover. Some were killed as they tried to scale high walls. The Amritsar Massacre, Winston Churchill told the House of Commons, was a “slaughter”, a “monstrous event”, “an episode … without precedent or parallel in the modern history of the British Empire.” British historian AJP Taylor wrote that the massacre was “the decisive moment when Indians were alienated from British rule.”
Unsettled Solidarities examines contemporary Asian and Indigenous cross-representations within different settler states in the Americas. Quynh Nhu Le looks at literary works by both groups alongside public apologies, interviews, and hemispheric race theories to trace cross-community tensions and possibilities for solidarities amidst the uneven imposition of racialization and settler colonization.
Who are the new Chinese intellectuals? In the wake of the crackdown on the 1989 democracy movement and the rapid marketization of the 1990s, a novel type of grassroots intellectual emerged. Instead of harking back to the traditional role of the literati or pronouncing on democracy and modernity like 1980s public intellectuals, they derive legitimacy from their work with the vulnerable and the marginalized, often proclaiming their independence with a heavy dose of anti-elitist rhetoric. They are proudly minjian—unofficial, unaffiliated, and among the people.