Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940.
How is China organized politically? What are the issues that young people face in today’s China? What is China doing about its problem with pollution? Is the Chinese internet like our internet? What’s China’s role in the world today? And how much do you know about China’s great woman emperor or the Chinese explorer whose voyages may have inspired the legend of Sinbad the Sailor? What are the major Chinese holidays, their superstitions regarding numbers, and the true nature of the Chinese written language?
In an age of social media and reality television, reading and consumption habits in India now demand homegrown pulp fictions. Ulka Anjaria categorizes post-2000 Indian literature and popular culture as constituting “the contemporary,” a movement defined by new and experimental forms—where high- and low-brow meet, and genres break down.
The most comprehensive account of the politics of reform in contemporary Iran. The surprise election of Hassan Rouhani in 2013 and his re-election in 2017 has focused attention on the dynamics between Islam and democracy in Iran after the hiatus of the Ahmadinejad presidency. With comparisons being drawn between Rouhani and his predecessor but one, the reformist president Mohammad Khatami (1997-2005), there has never been a better time for a review and detailed analysis of the rise and fall of the reform movement in Iran.
Dakota Crescent was one of Singapore’s oldest public housing estates and a rental flat neighbourhood for low-income households. In 2016, its residents—many of whom are elderly—were relocated to Cassia Crescent to make way for redevelopment. To help them resettle, a group of volunteers came together and formed the Cassia Resettlement Team.
The word sensei in Japanese literally means “one who came before,” but that’s not what Janet Pocorobba’s teacher wanted to be called. She used her first name, Western-style. She wore a velour Beatles cap and leather jacket, and she taught foreigners, in English, the three-stringed shamisen, an instrument that fell out of tune as soon as you started to play it. Vexed by the music and Sensei’s mission to upend an elite musical system, Pocorobba, on the cusp of thirty, gives up her return ticket home to become a lifelong student of her teacher. She is eventually featured in Japan Cosmo as one of the most accomplished gaijin, “outside people”, to play the instrument.
What is the modern in Southeast Asia’s architecture and how do we approach its study critically? This pathbreaking multidisciplinary volume is the first critical survey of Southeast Asia’s modern architecture. It looks at the challenges of studying this complex history through the conceptual frameworks of translation, epistemology, and power.