On 13 April 1919, British and Imperial troops under the command of General Reginald “Rex” Dyer gunned down between 400 and 600 Indian protestors at Jallianwala Bagh, a garden near the Golden Temple in the city of Amritsar in the Punjab state of India. Many more protestors were wounded. The shooting lasted for ten minutes. Many were shot as they ran for cover. Some were killed as they tried to scale high walls. The Amritsar Massacre, Winston Churchill told the House of Commons, was a “slaughter”, a “monstrous event”, “an episode … without precedent or parallel in the modern history of the British Empire.” British historian AJP Taylor wrote that the massacre was “the decisive moment when Indians were alienated from British rule.”
Unsettled Solidarities examines contemporary Asian and Indigenous cross-representations within different settler states in the Americas. Quynh Nhu Le looks at literary works by both groups alongside public apologies, interviews, and hemispheric race theories to trace cross-community tensions and possibilities for solidarities amidst the uneven imposition of racialization and settler colonization.
Who are the new Chinese intellectuals? In the wake of the crackdown on the 1989 democracy movement and the rapid marketization of the 1990s, a novel type of grassroots intellectual emerged. Instead of harking back to the traditional role of the literati or pronouncing on democracy and modernity like 1980s public intellectuals, they derive legitimacy from their work with the vulnerable and the marginalized, often proclaiming their independence with a heavy dose of anti-elitist rhetoric. They are proudly minjian—unofficial, unaffiliated, and among the people.
Recently wed—and quickly divorced—twenty-four-year-old Sarah Coomber escapes the disappointments of her Minnesota life for a job teaching English in Japan. Her plan is to use the year to reflect, heal and figure out what to do with her wrecked life while enjoying the culture of the country where she had previously spent a life-changing summer that included a romance with a young baseball player.
Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940.
How is China organized politically? What are the issues that young people face in today’s China? What is China doing about its problem with pollution? Is the Chinese internet like our internet? What’s China’s role in the world today? And how much do you know about China’s great woman emperor or the Chinese explorer whose voyages may have inspired the legend of Sinbad the Sailor? What are the major Chinese holidays, their superstitions regarding numbers, and the true nature of the Chinese written language?
In an age of social media and reality television, reading and consumption habits in India now demand homegrown pulp fictions. Ulka Anjaria categorizes post-2000 Indian literature and popular culture as constituting “the contemporary,” a movement defined by new and experimental forms—where high- and low-brow meet, and genres break down.