Xu Xu (1908-1980) was one of the most widely read Chinese authors of the 1930s to 1960s. His popular urban gothic tales, his exotic spy fiction, and his quasi-existentialist love stories full of nostalgia and melancholy offer today’s readers an unusual glimpse into China’s turbulent twentieth century.
Hong Kong at the beginning of a new millennium—a teeming city where ritual, religion, the spirits of the dead and the spirit of enterprise meet and clash. For Reini “Kim” Kranich, a young German aid worker obsessed with death, Chinese underwear, Emily Dickinson and cockroaches, it’s a place of fragile hopes.
Rated R Boy: Growing Up Korean in 1980s Queens is a memoir of one family’s move from South Korea to the United States. Told by its child narrator, it describes life in mid-1970s Korea and compares it to life in America, where he is exposed to things that challenge what he’d held to be sacrosanct.
Drowning in the Floating World by Meg Eden immerses us into the Japanese natural disaster known as 3/11: the 2011 Tōhoku earthquake and tsunami, and subsequent Fukushima Daiichi nuclear disaster.
Experience the splendor of the annual spring viewing of the nation’s sakura (cherry blossoms) with this stunning keepsake book. Original artwork, photographs, and objects from the Library of Congress collections illuminate the story of these landmark trees and how they came to the nation’s capital as a symbol of friendship with Japan.
The United States of India shows how Indian and American writers in the United States played a key role in the development of anticolonial thought in the years during and immediately following the First World War. For Indians Lajpat Rai and Dhan Gopal Mukerji, and Americans Agnes Smedley, WEB Du Bois, and Katherine Mayo, the social and historical landscape of America and India acted as a reflective surface. Manan Desai considers how their interactions provided a “transnational refraction”—a political optic and discursive strategy that offered ways to imagine how American history could shed light on an anticolonial Indian future.
From the unique standpoint of an American woman who married into a Japanese family and has lived in Japan for more than thirty years, Rebecca Otowa weaves enchanting tales of her adopted home that portray the perspective of both the Japanese and the foreigner on the universal issues that face us all—love, work, marriage, death, and family conflict.