A fascinating and innovative study of the Malay performing arts of Kepri, Performing the Arts of Indonesia is the first of its kind. The volume, written by fifteen contributors, adds greatly to our knowledge of the cultures of a region previously receiving little attention and brings to light previously unknown material.
On 13 April 1919, British and Imperial troops under the command of General Reginald “Rex” Dyer gunned down between 400 and 600 Indian protestors at Jallianwala Bagh, a garden near the Golden Temple in the city of Amritsar in the Punjab state of India. Many more protestors were wounded. The shooting lasted for ten minutes. Many were shot as they ran for cover. Some were killed as they tried to scale high walls. The Amritsar Massacre, Winston Churchill told the House of Commons, was a “slaughter”, a “monstrous event”, “an episode … without precedent or parallel in the modern history of the British Empire.” British historian AJP Taylor wrote that the massacre was “the decisive moment when Indians were alienated from British rule.”
Unsettled Solidarities examines contemporary Asian and Indigenous cross-representations within different settler states in the Americas. Quynh Nhu Le looks at literary works by both groups alongside public apologies, interviews, and hemispheric race theories to trace cross-community tensions and possibilities for solidarities amidst the uneven imposition of racialization and settler colonization.
I’ve always found the term “chapbook” off-putting. You’d think poets, being poets, could come up with a better word for what is a shorter-than-normal collection, as prose people did with “novella”.
In 1932 a new Asian country suddenly came into being in northeastern China. It was named Manchukuo, and it had been created as a result of the so-called “Mukden Incident”, in which Japanese soldiers had detonated a small charge of dynamite on a Japanese-built railway line and then claimed that Chinese dissidents had done it.
Who are the new Chinese intellectuals? In the wake of the crackdown on the 1989 democracy movement and the rapid marketization of the 1990s, a novel type of grassroots intellectual emerged. Instead of harking back to the traditional role of the literati or pronouncing on democracy and modernity like 1980s public intellectuals, they derive legitimacy from their work with the vulnerable and the marginalized, often proclaiming their independence with a heavy dose of anti-elitist rhetoric. They are proudly minjian—unofficial, unaffiliated, and among the people.
A Japanese American war hero has a secret. A secret so awful he’d rather die than tell anyone—one so entwined with the brave act that made him a hero that he’s determined never to speak of the war. Ever.