Hong Kong soprano Louise Kwong recently completed a run of two performances as the lead in Giacomo Puccini’s La Bohème at the Opera di Roma, marking her debut with one of Italy’s leading companies.
Balancing on a narrow boat in the middle of Aberdeen Harbour—the Jumbo Floating Restaurant in the background—were two dancers from the Hong Kong Ballet in a perfect pose, the red of their shoes and shorts popping against the red of the boat’s lanterns. In the background Hong Kong Ballet Artistic Director Septime Webre was giving his feedback on the shot; photographer Dean Alexander was trying to capture the moment.
London-based Singaporean Sharlene Teo is currently finishing a PhD at one of the UK’s premier centres for the teaching of creative writing, the University of East Anglia (UEA). Part of her studies focuses on criticism and theory, and her work in this area concerns the representation of Singaporean and Malaysian women in fiction. But her course also requires participants to write a novel, and presumably she has already passed this unit with flying colors, as the novel she wrote to satisfy it, Ponti has already been read way beyond the confines of the UEA faculty office.
Based on her performance at the 29 April Grand Finals Concert, Wu Hongni was declared one of the five winners of the Metropolitan Opera National Council Auditions.
Nigel Collett’s A Death in Hong Kong: The MacLennan Case of 1980 and the Suppression of a Scandal has won the 2017 Royal Asiatic Society Hong Kong History Book Prize.
Nicholas Gordon talks to Neal Goren, music director for the world premier run of the chamber opera Mila at the Asia Society in Hong Kong.