Norwegian soprano Margrethe Fredheim has won the inaugural Hong Kong International Operatic Singing Competition (2018) with performances of “Come scoglio” from Mozart’s Così fan tutte, “Song to the Moon” from Dvorak’s Rusalka and “Einsam in trüben Tagen” from Wagner’s Lohengrin.

Balancing on a narrow boat in the middle of Aberdeen Harbour—the Jumbo Floating Restaurant in the background—were two dancers from the Hong Kong Ballet in a perfect pose, the red of their shoes and shorts popping against the red of the boat’s lanterns. In the background Hong Kong Ballet Artistic Director Septime Webre was giving his feedback on the shot; photographer Dean Alexander was trying to capture the moment.

The Asian Review of Books is highlighting works of authors appearing at the Asia House Bagri Foundation Literature Festival later in the Spring. This list will be updated regularly as we get get closer to the festival opening, so bookmark this page and check back. Recent additions include an a new essay from Ece Temelkuran, an extract from Louder than Hearts, poetry by Zeina Hashem Beck, a review of Min Jin Lee’s Pachinko and a review of and excerpt from The Kingdom of Women: Life, Love and Death in China’s Hidden Mountains by Choo Waihong.