Around the Chinese New Year period, millions of Chinese migrant workers return home from jobs in China’s major cities to their rural villages to visit their families. China’s urban centers and factory towns rely on migrant workers from provinces like Guizhou: places that are still relatively underdeveloped, despite the massive growth seen on China’s coasts. The fact that, this year, many migrants likely can’t return home due to the COVID-19 pandemic is a reminder of the instability that defines much of their lives.


At 10:20pm on 15 August 1969, Ravi Shankar—then, and still, the most famous practitioner of the sitar and Indian classical music—takes the stage at Woodstock. It’s arguably the zenith of Indian music’s popularity in the West, with musicians like the Beatles, the Byrds and Led Zeppelin embracing elements of Indian music. But this was merely the middle-point of Shankar’s artistic development, nor was it a personal highlight in a long and storied career. For many musicians in several different genres, both in and outside of India, Shankar is the most important messenger for the ideas and concepts of Indian music.

The COVID-19 pandemic has affected every country around the world in a manner not seen since the Great Financial Crisis of 2008, and is perhaps one of the most transformative events in decades. Most countries and governments have played catch-up to the pandemic, trying to get a handle on case numbers after an explosive increase. But a few places: Taiwan, Singapore, Hong Kong, South Korea, New Zealand, Australia, Vietnam and China appear to have kept the virus largely under control.