While Asian protagonists are no longer rare in young adult fiction, some cultures seem more prevalent in the genre than others. Think Jenny Han’s books and the various K-Pop stories, as well as Taiwanese-American stories like Loveboat Taipei and Rent a Boyfriend. In an apparent first, Loan Le’s debut novel, A Pho Love Story, adds to this list with a rom-com featuring Vietnamese-American teens. Although the details of the Vietnamese refugee experience may not be familiar to all teens, the restaurant setting and accompanying food most likely will be.
The poems of Song Lin, born in Fujian in 1959, are, according to his translator and personal friend, the poet Jami Proctor Xu, “weavings of history, myth, nature, city, everyday life, melancholy, joy, story, image, and classical and modern Chinese.” This would be a formidable range for any poet, but reading Sunday Sparrows leaves little doubt that Xu was completely accurate in her assessment, which is made easier (for her) and perhaps more profound (for us) by its personal nature.
George F Kennan believed that in examining the history of the 20th century, all the lines of inquiry led back to the First World War. Westerners tend to view the First World War through the narrow but compelling lens of the Western Front, but the war was truly global, in part because Britain, France, and other European powers had colonies and allies throughout much of the world. India then was the jewel in the British imperial crown, but as Umej Bhatia shows in his meticulous new book Our Name is Mutiny, the jewel was coming loose due to Indian nationalism and global jihadism, and for a brief moment the Indian revolutionary ferment exploded in Singapore.
A young lady surnamed Yu died after obsessively reading Tang Xianzu’s play, The Peony Pavilion. The Ming/Qing literary critic and editor Jin Shengtan, took to bed for four days after reading certain lines of the same play. The encounter with great literature produces an aesthetic shock, comparable to becoming lovestruck. Since Plato and Aristotle, western literary critics have pondered the significance of these emotions provoked by art. Li Qiancheng’s Transmutations of Desire describes how Chinese literary critics addressed this phenomenon, and composed some of the most compelling descriptions and explanations for it.
Indology—a field of study about India’s history and culture associated with 19th-century British and German figures—had an interesting German-Dutch predecessor, Jacob Haafner (1754-1809). The man reached India as the servant of the VOC (or the Dutch East India Company) after having lived in South Africa and Java for a while. His travel-writing about India, vituperative views on colonialism and writings on missionary activity in India and the East in general made him unpopular among the Dutch elite whose help he desperately needed to be employed as a bureaucrat or to sponsor his writing.
It’s been just about a year since international travel all but came to a standstill, so it could either feel timely or insidious to be presented with a new book of short stories set across East Asia, the Pacific, and Europe, several of which feature travelers. Simon Rowe’s latest collection, Pearl City: Stories from Japan and Elsewhere, fortunately falls into the former category. Rowe is known as a noir writer and these stories all fall under that genre; and here Rowe gets to the heart of everyday people in each of the places he covers.
The Code of Civilization might at first seem to be another in the line of books which includes Francis Fukuyama’s The End of History and Samuel P Huntington’s The Clash of Civilizations that attempt an overarching view of world history with an aim to model the present and predict the future. This time, however, the author—Vyacheslav Nikonov—is Russian.