Thirteenth-century China is a time of mayhem, when wandering heroes and martial masters must choose their side in a conflict between the Jurchen Jin invaders from the North and the dispersed and submissive remains of the Song dynasty.
Self-described “old retired gardener who was now pushing eighty-six”, Mas Arai makes his final appearance as an amateur detective in Naomi Hirahara’s novel Hiroshima Boy. I would add cantankerous to his self-description, in all the best literary nuances of that word. This seventh and final novel in the mystery series finds Arai-san in Hiroshima, where he lived through World War II, surviving the atomic bomb blast. He is there to return the cremated ashes of his friend, Haruo, to his friend’s sister who lives on a small island named Ino, a short ferry ride from Hiroshima.
The misdirection starts with the novel’s cover. Hasan Ali Toptas’s Shadowless is, in spite of its title, full of shadows.
In 2015, Indonesian-born Singaporean author Clarissa Goenawan won the prestigious Bath Novel Award for unpublished and self-published novelists for her novel Rainbirds, which—some two years later—is now seeing the light of day.
Exploring identity in a multi-ethnic community through fiction can be a sensitive subject. The importance people place on identity is often a prickly topic these days—especially in multi-religious, multiracial communities like that of Singapore’s five and a half million citizens. In November 2017, the Singaporean Institute of Policy Studies presented evidence that for the first time more Singaporeans identify with the city-state than with their own ethnic lineage. The remaining half of survey respondents, however, still felt a “simultaneous” identity of both Singaporean and racial heritage.
If you go into most bookshops in the States for example, there’s a cottage industry of books on the US and China, the US and the Middle East, you go to the UK, there’s a sort of similar cottage industry of books on the UK and France, and France and Germany. But there’s very little on Japan and China, and this is a highly consequential relationship—the world’s second and third biggest economies, Asia’s two superpowers, and with a really difficult, emotional, scarred history …
There is nostalgia for a gentler time as well as bloody depictions of real-life historical events in this genre-crossing work by author and publishing stalwart Ashok Chopra.