History has a way of inspiring quirky fanfiction. Back in the 1980s, Terry Johnson’s play (later Nicolas Roeg’s film) Insignificance imagined an evening where Marilyn Monroe (or as she was called simply, “The Actress”) finds herself thrown together with Albert Einstein (“The Scientist”), Joseph McCarthy (“The Senator”) and Joe DiMaggio (“The Ballplayer”), who collectively spin an intriguing rumination about the meaning of fame in America. Johnson’s dialogue rather deviated from historical record, but hearing The Actress explain relativity to The Scientist was a hoot.
Seoul 1954. The Korean War armistice has been signed less than a year ago. Millions are dead and a shattered country struggles to rise from the rubble. There is little food and even less hope. Seoul teems with ghosts.
An imagined love affair between two great architects of the 20th century is the foundation of this lyrical novel by Shiromi Pinto.
It’s a sign of the times that this novel about Hong Kong’s June 4th vigils, Chinese dissidents, and village protests seems almost quaint compared with recent real-life events. In the same way, Chinese Spring is an apt story. While Hong Kong has endured weekly protests, police clashes and mass triad attacks over the past two months, the underlying reason is fear of the Chinese authorities and their legal system. This is also what the protagonists in Christopher’s new novel confront.
The cover of Somewhere Only We Know, Maurene Goo’s latest young adult novel, isn’t inordinately different from other contemporary romantic comedies: a young Asian woman is seated while a young Asian man leans into her back, only part of his face and an arm are visible. Yet the story is unusually set almost completely in Hong Kong while the protagonist, Lucky, is an equally unlikely American-born internationally renowned teenage K-Pop star who isn’t a household name in the United States—yet.
A pious canine argues with a camel, a windy night lasts for years, and a Javanese keris blade is wielded to murder a village witch in Fairoz Ahmad’s enchanting short story collection Interpreter of Winds. A quick and charming read, this book includes four magical tales across Islamic communities in the Indonesian and Malay world. Some take place in a stylized colonial past and some in the contemporary world, where current struggles crash against the fantastical.
The backstory—as given in the publisher’s blurb—to this English-language debut seems itself worthy of at least a short story: