Murder mysteries make natural period pieces, because passion, crime, investigation and come-uppance speak to material culture and social manners. Miss Marple evokes mid-20th century Britain, Inspector Montalbano—contemporary Sicily. Raza Mir’s Murder in the Mushaira brings to life mid-19th-century Shahjahan-abad (as Delhi was then known), its Ramazan celebrations, noble palaces, shrines, shops and slums. He lets us smell the boiled sweet meats, the ambergris-heavy perfumes and the odors of the outhouse. We hear Urdu poets declaim their ghazals to polite applause as part of the mushairas of the title. So depicted, Mir’s Shahjahan-abad becomes a familiar place, despite the barriers of time, culture and language that separate us from the characters of his new novel.

Crystal Z Lee’s debut novel, Love and Other Moods, begins—as one does—with a lavish wedding à la Crazy Rich Asians. Chinese-American Joss Kong is marrying ultra-wealthy Tay Kai Tang at a swanky Shanghai hotel with an audience of friends and family that speak a variety of Chinese dialects and English with a variety of accents. There’s a Who’s Who of designer and luxury goods on everyone in the wedding party and on every guest.

After a yoga retreat from hell somewhere between Shenzhen and Dongguan, twenty-year-old Tiller Bardmon meets single mother Val and her eight-year old son, Victor Jr at the Hong Kong International Airport’s food court. Val and her son are returning to the United States after visiting her family in Kowloon, yet when she tries to pay for their food she finds her credit cards don’t work and she has no cash. Tiller spots them the money and Val whisks him away to an empty table, confiding in him before he can tuck into his xiaolongbao.