Moving on from the theme of communication examined in her last novel, Bitter Orange Tree, International Booker-prize winner Jokha Alharthi turns her exacting focus and lyrical style to marriage and motherhood in contemporary Oman. Sensitively translated to reflect Alharthi’s ability to switch seamlessly between the different voices of her two central characters, one pragmatic, one passionate, the story also touches on the constraints and expectations of Omani society where traditional beliefs persist despite rapid modernization.

Among the epic and stories of great battle, the Mahabharata has certain sections where smaller stories and myths exist to illustrate the larger point about origins of something or explain why things are the way they are. Some characters might seem familiar from other myths or the fables bring to mind other fable texts such as the Panchatantra or the Jataka Tales. Outside of the specialists who read and research the epic, no one has probably heard of them. In her latest book The Dharma of Unfaithful Wives and Faithful Jackals: Some Moral Tales from the Mahabharata, Wendy Doniger brings together stories from the relatively unexplored sections in which the dying Bhishma responds to questions from Yudhishthira, the eldest of the Pandavas. The stories Bhishma narrates relate to esoteric things such as tigers, jackals, dogs, sages (and their wives and disciples).

Identical and inseparable twin sisters, Roya and Tala live in Tehran. When they fall pregnant around the same time, they dream of going through the same motherhood milestones together and raising their kids together, yet a freak accident destroys these dreams in a matter of moments. This is the backdrop of Nahid Rachlin’s latest novel, Mirage, a psychological thriller that reflects life in contemporary Iran.