In the wake of the COVID pandemic, tourism is again booming in Japan. July 2024 saw the highest inflow of visitors ever recorded—more than 3 million entries in the month alone. For many, if not most, tourists, the city of Kyoto will rate a very high priority. The spring and autumn are usually regarded as the best times to visit, because of the pleasant temperatures and the cherry blossom or autumn colors, respectively. By contrast, the summer is very hot and humid. However, those July visitors will have had the chance to see one of the highlights of the Kyoto calendar: the Gion festival.  

A much-loved memoir about a Japanese author’s relationship with her cat is translated into English for the first time by award-winning translator, Ginny Tapley Takemori. Writer Mayumi Inaba won many prizes for her stories and poems before her untimely death from cancer in 2014. She was well-known as a cat lover, particularly her calico, Mii. This modern classic—published as Mornings with My Cat Mii in Britain and forthcoming as Mornings without Mii in the US—describes the close bond they shared over the 20 years of Mii’s life.

Japanese woodblock prints of the 18th and 19th centuries are, one comes to realize, one of the earliest example of mass commercial art, at least purely secular art, and one that still resonates with modern sensibilities. As testament to their volume, Britain’s Victoria & Albert Museum has, quite literally, tens of thousands of prints, a collection which began with an acquisition from the 1886 Exposition Universelle in Paris and rounded out, if that’s the word, with a purchase in 1886 (“at the height of Japonisme”) of more than 12,000 from the London-based Asian art dealer, SM Franck & Sons. Fortunately, this volume, which features prints from the collection, also testifies to their aesthetics and long-lasting appeal.

Much has already been written about the Manila Galleon, the system of annual commercial sailings between Manila and Acapulco that dominated trans-Pacific trade for two and a half centuries from the latter part of the 16th-century until the early 19th, a development which is often taken to mark the beginning of  “globalization”. Juan José Rivas Moreno reviews much of that as background, but unlike perhaps any other book on the subject to date, he turns his gaze to what was going on in Manila itself.