Hong Kong Women in Publishing is an organization that promotes the status of women working in publishing and related fields and publishes an annual anthology of members’ writing and artwork. Imprint 16 is the latest volume in the series.
In the triumvirate of superpowers, only China and Russia share a border. In Beyond the Amur, Victor Zatsepine discusses how that border, or rather the eastern section of it, came to be.
One need look no further than Britain’s impending departure from the European Union for an example of how once apparently dormant elements of a nation’s self-image can be reawakened. An abiding historical sense of aloofness and suspicion of Europe, which seemed to have been quelled by the forces of globalisation in recent decades, has emerged in the last year with renewed vigour. Evident also in the appeal of Trump to persistent American notions of exceptionalism, the flattening of specific cultural characteristics engendered by globalisation seems not to have greatly shifted the fundamentals of how these countries view both themselves and the outside world.
North Korea is changing. Pyongyang is a dynamic city where the last decade has seen the skyline transformed at the behest of Kim Jong Un with lines of new tower blocks and colour painted across his father and grandfather’s monochrome urban landscape. The city’s ambience and the lives of those with money has been transformed with funfairs, and water parks, shopping centres, coffee bars, beer festivals and package holidays. Science is king with new museums and centers devoted to natural history, technology and weaponry. Outside in the countryside change comes slowly, while in the Northeast “rust belt” industrial revival is even slower. They are the source of the economic migrants fleeing for a better life in the South.
Two interesting phenomena intersected at the turn on the last century. Just as Indian women were becoming globally visible as winners of several international beauty pageants, the racialized body (non-white, brown, along with Arab) became visible as the Other in the aftermath of 9/11. This stark polarity marks the subject of a new book on South Asian diaspora community that studies how appearances make and unmake attitudes about beauty and what sort of people become public icons.
Western commentators are wont to complain that China doesn’t always seem committed to “international norms”. Robert Bickers’s new book Out of China: How the Chinese Ended the Era of Western Domination helps explain why: “international norms” were used for a century to justify encroachments on Chinese sovereignty.
The Kingdom of Women by Singaporean author Choo Waihong is a first-person account of the author’s experiences living with the Mosuo, an ethnic minority community resident in South-West China and one of the world’s last surviving matrilineal and matriarchal societies.