Eun Ji Koh was a typical Californian teenager before her immigrant parents surprised Koh and her brother with some startling news. Her father had been offered a far more lucrative job back in Seoul than he could ever expect to be offered in the US. It isn’t uncommon for immigrants to return to their countries of birth for better employment opportunities, but in this case Koh and her brother would be staying behind.
Whither China? It is perhaps the most important question on the minds of statesmen, diplomats, and scholars. French political scientist Jean-Pierre Cabestan, who teaches at Hong Kong Baptist University, attempts to supply the answer in his new book China Tomorrow: Democracy or Dictatorship?
Very few people (other than Anthony Janson in his monumental History of Art, published in 1968) would attempt to write a history of an entire country’s art, and even fewer could do it in one volume and cover a period from 15,000 BCE right up to the present day. Professor Tsuji does this for Japanese art with ease, elegance, humor and consummate erudition in an attractive volume printed on first-class paper and packed with quality color and black-and-white illustrations. What’s more, it isn’t a large format coffee-table book like Janson’s, which means a reader can actually curl up on a chair and read it quite comfortably. As Tsuji says, though, “to survey the vast sweep of Japanese art history was a great challenge and a daunting task;” but we are lucky that he also tells us “not only did no such book exist, but I needed one myself!”
“On a sultry August day I set out to walk a straight line across Beijing.” So begins Jonathan Chatwin’s Long Peace Street: A Walk in Modern China. The street, called Chang’an Jie in Chinese, “runs arrow-straight and ten lanes wide in some places,” bisecting the heart of Beijing.
Toward the end of his life, Algernon Blackwood famously reminisced that “I used to tell strange, wild, improbable tales…” The tale of the friendship between Lu Xun and Uchiyama Kanzō would have met Blackwood’s standard—a look at Shanghai during those times, now nearly 100 years ago, suggests why.
As China and the West look at decoupling, it’s worth remembering that the world has been through this several times since they first coupled three-quarters of the way through the 16th century. That’s when the Manila Galleon connected Asia and the Americas, a trade that was, to mix metaphors, oiled by silver.
In a collection of essays penned by Arab women reporting from the Arab world, one can expect destruction and bullets, bodies and despair to litter the pages. And rightfully so. Our Women On The Ground: Essays By Arab Women Reporting From The Arab World does not shy away from the front lines and splashes copious amounts of reality onto readers who dare to venture into its chapters.