The diversification of Japanese Literature available in translation means that the release of a new novel by Haruki Murakami is not met with quite the fanfare it once was, but interest in movie adaptations of the author’s work is higher than ever. This is due at least in part to the enthusiasm with which critics have greeted recent adaptations, with Lee Chang Dong’s Burning winning the FIPRESCI Prize at Cannes in 2018, and Ryusuke Hamaguchi’s Drive My Car taking Best International Picture at the 2021 Academy Awards. Following this success is renewed academic focus on movies based on Murakami’s work, with Marc Yamada’s newly-released Murakami Haruki on Film providing the first English-language overview of the author’s cinematic adaptations.

In the early 19th century, Reverend Andrew Fuller, a leading evangelical, dismissed the possibility of any anti-colonial unity in India, claiming that “Hindoos resemble an immense number of particles of sand, which are incapable of forming a solid mass. There is no bond of union among them, nor any principle capable of effecting it.” Yet, over the next century, Fuller’s glib remark would be upended by the very forces he had underestimated. By the late 19th and early 20th centuries, a rising wave of Hindu nationalism had begun to consolidate those so-called “particles of sand” into a powerful, collective identity.

In the wake of the COVID pandemic, tourism is again booming in Japan. July 2024 saw the highest inflow of visitors ever recorded—more than 3 million entries in the month alone. For many, if not most, tourists, the city of Kyoto will rate a very high priority. The spring and autumn are usually regarded as the best times to visit, because of the pleasant temperatures and the cherry blossom or autumn colors, respectively. By contrast, the summer is very hot and humid. However, those July visitors will have had the chance to see one of the highlights of the Kyoto calendar: the Gion festival.  

A much-loved memoir about a Japanese author’s relationship with her cat is translated into English for the first time by award-winning translator, Ginny Tapley Takemori. Writer Mayumi Inaba won many prizes for her stories and poems before her untimely death from cancer in 2014. She was well-known as a cat lover, particularly her calico, Mii. This modern classic—published as Mornings with My Cat Mii in Britain and forthcoming as Mornings without Mii in the US—describes the close bond they shared over the 20 years of Mii’s life.