Journalist Paul Murphy spent a lot of time in Japanese courtrooms, as—one hastens to add—observer rather than defendant. These stories, vignettes really, are drawn from the 119 cases he followed in Matsumoto, a town of a quarter-million about 200km west of Tokyo.
If you turn to page 105 in this book you will see two extraordinary figures standing and facing each other in a colored albumen print from 1872. They both have bare feet; one wears a light-blue three-quarter length robe, rather like an elegant silk dressing-gown, and the other a similar one of a darker color, with what looks a little like a skirt underneath. They have rather serious expressions on their faces, and medium-length thick, dark, dry-looking hair. They both have upturned mustaches, rather in the style affected by Kaiser Wilhelm II, although not quite as extreme, and they look as if they’ve been painted on.
A frequent reader of the American foreign policy journal Foreign Affairs will feel right at home reading Kurt Campbell’s The Pivot. The author was the Obama administration’s principal architect of the US pivot or “rebalance” to Asia, and beyond the abundance of conventional wisdom, offers some important insights into the emergence of what many are calling the “Asian Century”.
Hungry Bengal is the story of Bengal’s man-made famine in 1942 which killed two million people over a period of eighteen months to two years, all while Imperial Britain’s leaders in London looked on unconcerned. It was the British who provided both direct and indirect causes of the famine. When the War with Japan broke out the “little yellow men” proved far doughtier warriors than ever envisaged by Whitehall. British troops were swept aside as the fortress of Singapore fell and the Japanese swept northwards through Burma towards Imperial India.
A rt has been central to China’s long history and to her core spiritual and intellectual values. However, much of that heritage has either been destroyed or it is now kept outside the country. Most of the onslaught has long been self-inflicted, deliberately aimed at China’s own cultural legacy, from the Tang dynasty’s iconoclastic reaction against Buddhism around the year 845 that led to widespread destruction of temples and statuary, to the devastating Taiping Rebellion (1850-1864), or the mayhem of the Cultural Revolution (1966-1976).