There is a Kashmir that tourists know about: the one with houseboats, carpets, the one called the Paradise on Earth. There is another Kashmir the world knows through the newspapers, that of militants, a place embroiled in the Indo-Pak border conflict. Madhuri Vijay’s debut novel is a “fictional” attempt to know Kashmir from both extremes—the latter more than the former—through the lense of a woman visiting here for the first time.
Hiroko Oyamada’s debut novel in English was drawn, it is said, from her experiences working as a temp in the subsidiary of an automaker. If The Factory is any indication, she didn’t take to it.
Globalization usually means manufacturing. But globalization reaches into other realms, even waste disposal as Adam Minter wrote in his debut book, Junkyard Planet. In his new book, Secondhand, he investigates what happens to material goods we donate after we’re done using them and travels throughout North America, Asia, and Africa to explore how different countries reuse discarded items.
With the exception of Eileen Chang to whom she is often compared, few writers have become as synonymous with Shanghai as Wang Anyi. Although born in Nanjing, Wang was brought to Shanghai at the age of one by her mother, noted writer and Shanghai native Ru Zhijuan, and her quest to know the city over the years in spite of its protean elusiveness (as well as Wang’s intermittent absences) has become something of an elegiac obsession for the celebrated author.
Racial and gender divides in contemporary Britain are cross-examined in this intelligent courtroom thriller by Kia Abdullah. The case under consideration concerns Jodie Wolfe, a 16-year old girl who is facially disfigured by neurofibromatosis. She claims she has been raped by a group of four classmates. The fact that she is white, and the accused are Muslim and of Pakistani and Bangladeshi origin, adds racial conflict to an already incendiary legal battle.
When İpek Çalişlar discovered that Latife Hanım had demanded that her husband, Mustafa Kemal Atatürk, change the law to enable her to stand for parliament, the respected journalist knew she had found the subject of her next project. The result is Madam Atatürk, a biography of Latife Hanım and the role she played in modernizing Turkey.
In his introduction to this new biography of Yuan Shikai, Patrick Fuliang Shan makes reference to the long-held view of Yuan as a stereotypical historical villain—or, in Chinese, fanmian lishi renwu. The Chinese phrase is perhaps the more apposite, as one literal translation would be “a person on the wrong side of history”. Whatever one’s view of Yuan Shikai, who rose to governmental and military power in the late 19th century before becoming China’s first permanent president in 1912, it is fairly uncontroversial to assert that he ended up, on a few occasions, on what would later come to be viewed as the “wrong side” of various historical moments.