A City Mismanaged is policy analysis as blood sport. Leo Goodstadt needs no introduction in Hong Kong circles; those outside might need to know that he was head of the pre-Handover Hong Kong government’s Central Policy Unit from 1989-1997. He has penned a no-holds-barred smackdown of the four post-colonial Hong Kong administrations.

Opera travels well. Its stories are the stories of our collective humanity—love, loss, revenge, strife, rebellion, rejuvenation, absurdity, tragedy—and its archetypes not only define cultures but also connect them. In many respects, we can no longer speak in essentializing ways about Western opera or Chinese opera, but rather must address the world of opera and global operatic voices.

Anton Chekhov, it appears, was not the first Russian literary luminary to visit Hong Kong. Chekhov had stopped off in October 1890 and wrote about its “wonderful bay”. English-language literature had to wait until Somerset Maugham came through more than a quarter-century later. But Chekhov was beaten to the punch by Ivan Goncharov who stopped by in 1853.

This latest volume in the Series on Contemporary China published by World Scientific looks at the historical, geopolitical, and legal aspects of the ongoing disputes over the South China Sea and its islands, reefs, and rocks. Edited by Tsu-sung Hsieh, a retired Taiwanese navy captain and professor at the Ming Chuan University School of Law in Taipei, the book is composed of papers presented at the 2017 South China Sea Conference by scholars from Taiwan, China, the Philippines, and the United States.