In his foreword to this anthology, Jonathan Stalling eloquently describes how “Taiwan literature, like its complex writing systems, exists as a palimpsest of the cultural contact points, overlapping languages, peoples, and histories that have paved the way for one of the most vibrant literary scenes in the Sinosphere and the world beyond.” The aptness of this delightful description is borne out by what follows, namely 11 diverse, yet eminently readable, short stories and essays written between 1976 and 2013.
To get the details out of the way first: Alisa Ganieva is a Russian writer of Avar/Dagestani extraction. She has been called “the first Dagestani author to have their [sic] work translated into English”, and her most recent translated novel, the 2015 Bride and Groom—which was shortlisted for the Russian Booker Prize—is set in the Muslim-majority and turbulent Caucasus region of Dagestan.
Literature from Central Asia in English is rare; it may even be rare in the original, untranslated, given the relatively small populations and some seven decades of Soviet linguistic, literary and cultural oppression. In any event, it appears that there are just two works of Turkmen fiction available in English, both by the dissident, and exiled, writer Ak Welsapar: the novel The Tale of Aypi and this recently published collection of short stories.
Asia has a long history of the printing and dissemination of news. In his book on origins of modern journalism in India, Andrew Otis mentions bulletins published by the Chinese, handbills by the Japanese and newsletters distributed by runners. Ever since the introduction of the printing press in India in the 16th century by the Portuguese Jesuits, the European colonists and missionaries used the technology to print their newsletters.
War, Clausewitz wrote, is the continuation of politics by violent means. War also breeds revolution. It is no accident, as Marxists are wont to say, that communism gained power in Russia and China in the midst and the aftermath of world wars and civil wars.
China has risen from developing nation status to second place in the global GDP rankings in just a decade. The resulting improved living standards and greater spending by Chinese consumers has proven a tremendous opportunity for both local Chinese and global brands. These developments were also a shock to China’s system as its own citizens sometimes struggled to keep up with the pace. Just who are Chinese consumers? What are their lives like and what are they looking for? These are the questions China’s Evolving Consumers attempts to answer. It does so, and with some success, by lifting the lid on other aspects of their lives.
If any reader has ever thought about Indian magic, those thoughts would likely conjure up (pun intended) images of snake-charmers, levitation, rope tricks, jugglers and people taking afternoon naps on beds of nails.