Last year, Korean literature burst into English-language consciousness when Han Kang’s The Vegetarian won the Man Booker International Prize. The process began earlier, of course: Kyung-sook Shin had won the Man Asian Literary Prize a few years previously. But this is nevertheless a phenomenon of relatively recent vintage.

Not everyone can be a Han Kang, and there aren’t many major literary prizes which take works in translation, so it’s a good thing that Dalkey Archive Press is plugging with away with translations of other important Korean writers.

William J Rust has been researching and studying the history of US relations with the nations of Southeast Asia for more than three decades in an effort to explain the origins of the Second Indochina War. His latest book, Eisenhower & Cambodia, focuses on the Eisenhower administration’s policies toward Cambodia and its mercurial leader Norodom Sihanouk after that country gained its independence in the wake of the First Indochina War against France.

Discussions on the so-called “rise” of China at some point tend to cycle ’round to the question as to whether these developments are new or instead herald a return to a status quo ante, a consideration which depends in no small part as what that status quo actually was. That China was dominant in East Asia at least until the 19th century is subject to hardly any debate; there is less consensus as to what that dominance consisted of and whence it derived.

Outsider views of Singapore suffer from numerous preconceptions and generalizations, many the result of sometimes humorous foreign venting in online forums about the city-state’s overweening legal apparatus and legal codes. Yet Singapore is affluent and materially developed by any measure.

Nor is Singapore is widely known as a place of literature, but that is at least in part because much of the city’s life lies behind language barriers. This perception is exacerbated by a national campaign, promoted by the city to advertise its strength as a destination for foreign investment rather than a cultural hub.