For a number of logistic, commercial and territorial reasons, books rarely circulate much outside the market they were published in. Asian-published books can as a result often, regardless of merit, end up largely unknown outside a relatively small domestic market, something that goes in spades when the book was originally published in a language other than English.
Yeng Pway Ngon’s Unrest has a long journey. Originally published in Chinese, Unrest won the 2004 Singapore Literature Prize. It took the better part of a decade for the English translation to become available in an edition from Math Paper Press in 2012. This (according to a note on the legal page, evidently somewhat revised) edition is from Balestier Press and is, for the first time, generally available internationally.
“Over the past two years Chinese communists have devoted increasing attention to extending their influence in the Buddhist countries of Southeast Asia,” reads an United States government report from 1957. To counter that influence, Eugene Ford writes in Cold War Monks, the US developed a strategy of “considerable guile, sophistication, and determination”, a funneling of significant funds through a front organization to help the Buddhist faith retain its hold on local populations and its leadership aligned with Western interests.
Yuki Means Happiness combines, among other elements, two love stories—one of romantic love, the other of a woman’s love for a child not her own —an exploration of divergent cultural expectations, a warning about the terrifying ease with which we can do damage to each other, in particular, the ease with which parents can do damage to children, an avowal that we can overcome such damage, and a sort of love letter to Tokyo.
The Indian stand up comedian Anuvab Pal jokes that Gandhi gave the mantra of nonviolence or the message of “Don’t Fight” to the people who did not want to fight in the first place. Gandhi recognized the reluctance and laziness among the Indians to fight against the British. Well, that’s one theory.
Can the present save the past? Can the living save the dead? As South Korean author Han Kang revealed in a 2016 interview with the London-based magazine The White Review, these questions interested her during her twenties, only to resurface years later when drafting her novel Human Acts about the 1980 Gwangju Uprising and its aftermath. And they continue to resonate in her writing as evidenced by her most recent work The White Book.
Think hard; use your imagination. Try to remember the time when the world was not an oyster, with its pearl geolocalized on Google Maps, rated on TripAdvisor, its best sights already pre-dissected on The Lonely Planet and travel blogs. There was an era during which the world had not shrunk yet to a global playground easily explored with a smartphone and a wifi connection in hand or indeed, before planes, videos and even ballpoint pens. It was the epoch of explorers and discoveries, of years spent away from a home that less and less could be called as such. And this is the time during which Alfred Raquez wrote his travel journal, In The Land Of Pagodas, A Classic Account of Travel in Hong Kong, Macao, Shanghai, Hubei, Hunan and Guizhou.
Author Sangeeta Bandyopadhyay tackles the ultimate taboo in this clever novel which uses the metaphor of a mother abandoning her child to explore the artist’s struggle to fulfill the responsibilities of life as well as the demands of creativity.