Wu Sheng has written vivid poems about rural life and the land since the 1960s, when he became one of Taiwan’s most popular poets. His poems are rooted in the soil, imbued with an unshakable affinity for the people who till it, sweat over it, and eventually are buried in it, and serve as his personal response to the industrialization, urbanization and globalization of his vanishing world.
A math teacher by day, Ya Shi lives 1,000 miles from the Beijing literary scene, but is celebrated among lovers of Chinese poetry from the conservative to the avant-garde. His jagged and intense short lyrics, wild nature sonnets, punchy couplets, and genre-bending, surreal poetic essays daringly combine iconoclasm and heart.
In Asia, adult sun bears are poached for body parts which are thought to have medicinal properties. Many orphaned cubs, with their small size and endearing features, are kept illegally as pets. Malaysian ecologist Dr Wong Siew Te, or “papa bear”, has dedicated his life to saving the world’s smallest bear from extinction.
Tenacious patterns of ethnic and economic inequality persist in the rural, largely minority regions of China’s north- and southwest. Such inequality is commonly attributed to geography, access to resources, and recent political developments. In Corporate Conquests, C Patterson Giersch provides a desperately-needed challenge to these conventional understandings by tracing the disempowerment of minority communities to the very beginnings of China’s modern development.
“Every adult human being is an investment expert. Life is an investment exercise and you are your own best investment adviser.”
Xu Xu (1908-1980) was one of the most widely read Chinese authors of the 1930s to 1960s. His popular urban gothic tales, his exotic spy fiction, and his quasi-existentialist love stories full of nostalgia and melancholy offer today’s readers an unusual glimpse into China’s turbulent twentieth century.
Hong Kong at the beginning of a new millennium—a teeming city where ritual, religion, the spirits of the dead and the spirit of enterprise meet and clash. For Reini “Kim” Kranich, a young German aid worker obsessed with death, Chinese underwear, Emily Dickinson and cockroaches, it’s a place of fragile hopes.