A funny and intimate travelogue of one woman’s unexpected adventures in Japan. French illustrator Julie Blanchin-Fujita arrived in Tokyo for what she thought would be a one-year stint, and ended up never leaving.
At 8 years old, Grace Eiko Nishikihama was forcibly removed from her Vancouver home and interned with her parents and siblings in the BC Interior. Chiru Sakura—Falling Cherry Blossoms is a moving and politically outspoken memoir written by Grace, now a grandmother, with passages from a journal kept by her late mother, reflecting on their family history, cultural heritage, generational trauma, and the meaning of home.
Many Filipino Americans feel obligated to give charitably to their families, their communities, or social development projects and organizations back home. Their contributions provide relief to poor or vulnerable Filipinos, and address the forces that maintain poverty, vulnerability, and exploitative relationships in the Philippines. This philanthropy is a result of both economic globalization and the migration of Filipino professionals to the United States. But it is also central to the moral economies of Filipino migration, immigration, and diasporic return. Giving-related practices and concerns—and the bonds maintained through giving—infuse what it means to be Filipino in America.
The Russian cultural presence in Japan after the Meiji Revolution was immense. Indeed, Japanese cultural negotiations with Russian intellectuals and Russian literature, art, theology and political thought, formed an important basis for modern Japanese transnational intellectual, cultural, literary, and artistic production.
In her brilliant second collection, Carlina Duan illuminates small and sacred moments of survival. Tracing familial lore and love, Duan reflects on the experience of growing up as a diasporic, bilingual daughter of immigrants in the American Midwest, exploring the fraught complexities of identity, history, belonging, and linguistic reclamation.
Retired Captain Pao Yang was a Hmong airman trained by the US Air Force and CIA to fly T-28D aircraft for the US Secret War in Laos. However, his plane was shot down during a mission in June 1972. Yang survived, but enemy forces captured him and sent him to a POW camp in northeastern Laos. He remained imprisoned for four years after the United States withdrew from Vietnam because he fought on the American side of the war.
Christine Shan Shan Hou’s The Joy and Terror Are Both in the Swallowing offers a new mythology for our “smooth and violent era”.