Cynthia Wu’s provocative Sticky Rice examines representations of same-sex desires and intraracial intimacies in some of the most widely read pieces of Asian American literature. Analyzing canonical works such as John Okada’s No-No Boy, Monique Truong’s The Book of Salt, H. T. Tsiang’s And China Has Hands, and Lois-Ann Yamanaka’s Blu’s Hanging, as well as Philip Kan Gotanda’s play, Yankee Dawg You Die, Wu considers how male relationships in these texts blur the boundaries among the homosocial, the homoerotic, and the homosexual in ways that lie beyond our concepts of modern gay identity.
Ascension to Death is a heartbreaking love story set against the backdrop of a conservative Druze region of southern Syria. It recounts the story of an orphan girl named Salma who falls in love with a boy from her village but is forced into an arranged marriage. Salma’s fate is controlled by her tyrannical guardian uncle, a powerful community leader with connections to the government, who is only too pleased to unload the burden of his brother’s daughter onto the first man to propose.
The swastika has been used for over three thousand years by billions of people in many cultures and religions—including Buddhism, Jainism and Hinduism—as an auspicious symbol of the sun and good fortune. However, beginning with its hijacking and misappropriation by Nazi Germany, it has also been used, and continues to be used, as a symbol of hate in the Western World.
All the world may indeed be a stage, but a poet’s world consists of words. Nashua Gallagher’s debut collection of verse resonates with themes of coming of age in Hong Kong and other parts of Asia, and is set in a belovedly re-imagined yet elusive “home” with a cast of friends, family, poets and others. Her work traverses tender recollection, wry observation, and candid commentary on the road to love, motherhood, identity, relationships, and the many entanglements of modern living.
America’s Vietnam challenges the prevailing genealogy of Vietnam’s emergence in the American imagination—one that presupposes the Vietnam War as the starting point of meaningful Vietnamese-US political and cultural involvements. Examining literature from as early as the 1820s, Marguerite Nguyen takes a comparative, long historical approach to interpreting constructions of Vietnam in American literature.
“You may wonder why the Middle East gets so much airtime. Well, regions of the world were competing to host the apocalypse and the Middle East won.”
This is a modern-spelling edition of John Greaves’s Pyramidographia (1646), together with some miscellaneous travel-writings, letters and a biography of Greaves by Thomas Birch. It includes a full scholarly introduction and detailed notes. This book is the first of its kind in English, and undertakes a scientific evaluation of the pyramids through metrics, using state-of-the-art instruments and drawing on both ancient and modern authorities, amongst which is included Arab and Persian writers as well as Western sources.