Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645-770, Dorothy C Wong (NUS Press, July 2018)
Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645-770, Dorothy C Wong (NUS Press, July 2018)

The period ca. 645-770 marked an extraordinary era in the development of East Asian Buddhism and Buddhist art. Increased contacts between China and regions to both its west and east facilitated exchanges and the circulation of ideas, practices and art forms, giving rise to a synthetic art style uniform in both iconography and formal characteristics. The formulation of this new Buddhist art style occurred in China in the latter part of the seventh century, and from there it became widely disseminated and copied throughout East Asia, and to some extent in Central Asia, in the eighth century.

Uncertainty, Anxiety, Frugality: Dealing with Leprosy in the Dutch East Indies, 1816-1942, Leo van Bergen (NUS Press, May 2018)
Uncertainty, Anxiety, Frugality: Dealing with Leprosy in the Dutch East Indies, 1816-1942, Leo van Bergen (NUS Press, May 2018)

In the early 19th century, the Dutch administration simply removed sufferers from public view: campaigns targeted anyone “looking ugly”. Towards the end of the century, colonial science considered leprosy a hereditary disease of tropical subjects, and therefore undeserving of the colonial government’s limited resources. The leprosariums were emptied.

Journey to the West — He Hui: a Chinese soprano in the world of Italian opera, Melanie Ho (Abbreviated Press, October 2017)
Journey to the West — He Hui: a Chinese soprano in the world of Italian opera, Melanie Ho (Abbreviated Press, October 2017)

Arguably the most successful Western opera singer to come out of China, soprano He Hui is known for her roles in Madama Butterfly, Tosca and Aida.