Steven Mosher has written important books about the everyday lives of the rural Chinese and China’s coercive population policies. In his new book, Bully of Asia, he ventures into the realm of geopolitics and perceives a global, zero-sum conflict between China and the United States.
Musica Viva’s current production of Giacomo Puccini’s La Bohème is a vivid justification for Hong Kong’s support of two opera companies. Different strategies yield different outcomes, to the great advantage of Hong Kong’s cultural scene. Musica Viva’s use of, in general, younger singers (“young” in opera being a relative term) and Director-General Kingman Lo’s focus on ensemble singing, lead to performances that are accessible and immediate.
They say that armchair generals discuss tactics but real generals discuss logistics. So here’s something different. Dawn of Victory is an account of World War I focused entirely on logistics. Jim Maultsaid enlisted at the outbreak of the war in 1914 and was immediately sent to the front where he was badly wounded on the first day of the Somme offensive. He survived, but was permanently disabled. Rather than being demobilized, he was packed off to officer candidate school and then sent back to France as a Lieutenant in charge of one platoon of the 96,000 Chinese labourers recruited to help with the war effort. His were from Shandong. Dawn of Victory is the story of the platoon’s day-to-day struggle to keep the frontline troops supplied with food, ammunition and fuel.
At the British Council in Hong Kong on Friday, the UK literary quarterly Wasafiri launched an issue dedicated to writing from the former British colony.
This November in New York has featured three different versions of the Madame Butterfly story on stage: the original at the Metropolitan Opera, a revival of the David Henry Hwang play M. Butterfly and a revival of the musical Miss Saigon. Of these, I managed Hwang and Puccini back-to-back.
Nicholas Gordon interviews Victor Mallet, author of River of Life, River of Death.