The reportedly increasing average age of opera audiences—or the flip-side of a purported lack of appeal to new and younger audiences—is a cause of ongoing angst among opera circles the world over. Regardless of whether the reports of opera’s death may in fact be exaggerated, it is encouraging when someone deliberately sets out to do something about it.
Ronald McCrum is a retired British army officer, and in his prologue he sets out his conviction that in previous accounts of the fall of Singapore too much blame has been attributed to the military and not enough to the “seriously flawed” civil administration.
The fugitive ran north beside the railway tracks, the bleak wastes of the Gobi blanketed in darkness, towards the streetlamps of Zamyn-Üüd glowing faintly in the distance. By luck passing too close to a sentry tower to be visible on radar, Xu Hongci soon realized that the lights of the Mongolian border town were now closer than those of Chinese Erenhot, and that his month-long flight from the mountain prisons of remote Yunnan was at a triumphant end:
I squatted on the ground a few minutes, bidding my weather-beaten, grief-plagued motherland farewell. I didn’t shed tears. I was just sad and angry, confident that sooner or later the Chinese people would rise up to cast off the yoke of Mao’s tyranny and establish a democratic nation. I told myself, ‘On that day, I shall return.’
“It is a common rule of propriety that culturally inferior foreign peoples should respect the Central Kingdom.” So begins a 1374 letter from Ming China’s founding Hongwu Emperor to a regional ruler in Japan. It continues: “One principle in both ancient and modern times has been for the small to serve the great.”
It might be thought that all that can be said about earlier European contacts with India has been said, and that no further interesting approach to the study of those contacts could be developed. Sanjay Subrahmanyam’s Europe’s India: Words, People, Empires 1500-1800 proves how wrong such a supposition might be.
It’s 2017, and Wonder Woman is about to make her big screen debut. Fearless, mighty girl-heroes such as Rey, Jyn Erso, and Katniss Everdeen take centre-stage in the film-going public’s imagination.
It is time to reclaim the hero story with an empowered feminine lens. Girls’ Adventure Stories of Long Ago is both a tribute, and a wake-up call. A poetic re-imaging of Joseph Campbell’s Hero With a Thousand Faces, my second collection explores ancient and modern landscapes, love lost and rediscovered; adventures undertaken and obstacles overcome.
The Circassian sounds like the name of a film; there’s more than enough material here for one. Eşref Bey, or Eşref Kuşçubaşı or any of the other names by which he went, played many roles in his life: brigand, family man, military leader, spy, rebel. He crossed paths if not quite swords with TE Lawrence—Lawrence of Arabia—with whom he is sometimes compared. But in spite of Eşref’s fame—or notoriety—information on him seems hard to come by in English; he does not even seem (at this writing) to have a Wikipedia page.