Most of us in our 20s or above remember where we were on 1 January 2000, when the planet welcomed the new year, decade, century and millennium. (Pedants however never tire of pointing out that the correct date should have been one year later.) Lijia Zhang’s Lotus begins with the title character facing a rather grim start to the year—on that January day, Lotus is arrested for suspicion of prostitution as she’s sitting shore side in Shenzhen, contemplating the turns of her 23 years of life.
At first glance, this award-winning epic is off-putting. First published in Hindi in 1979, the new English translation is some 452 pages long without the maps, glossary or translator’s notes required to read it. Perseverance, however, yields rewards in the shape of an all-encompassing sweep through pre-partition India, its many-faceted society and richly hued landscapes.
“Bandi” is Korean for “firefly”. It is the pseudonym chosen by the writer of the seven short stories and two poems now gathered in The Accusation, translated into English by Deborah Smith.
If you were to visit the British Museum and take a quick look at HC Cornelius’s View of the ruins of a Bramin temple at Brambanang, you might surmise that it is an exquisite piece of landscape art, depicting a typical rural scene in early 19th-century Java.
There are few recent books as deeply anchored in both global and urban history as Su Lin Lewis’s exploration of urban life in early-twentieth-century Southeast Asian port cities. Combining a keen interest in the consequences of the world’s growing connectedness during the tail end of the age of steam, a thorough familiarity with the places it studies, and painstaking archival research, the book showcases how two subfields of history can be merged to great benefit. While Lewis speaks to recent debates in global history, she successfully eschews the now familiar charge that the field’s practitioners have veered too far from concrete, empirical studies of the local. The elegantly presented results of her research therefore should be read by a wide range of historians.
Resting together after an afternoon climb to the hillside Kyoto grave of her father’s great benefactor, the school principal who provided for the 90-year-old Anglican minister when he was just a penniless, fatherless newspaper boy, Joy Kogawa brought herself to speak: “Dad, I know what you did.”
The burdens of immigrant life in Japan provide the meat of Min Jin Lee’s new novel Pachinko. Spanning five generations, Pachinko is the arresting tale of a Korean family which emigrated to Japan and is a welcome and timely publication dealing with the fraughtness of colonial and immigrant experiences. Although such scope might make one think of a sprawling, Tolstoyean narrative, Lee maintains a taut, narrow focus, unraveling the uniqueness of her characters while providing a deeply satisfying attention to detail.