Nigel Collett’s A Death in Hong Kong: The MacLennan Case of 1980 and the Suppression of a Scandal has won the 2017 Royal Asiatic Society Hong Kong History Book Prize.
In 2015, Indonesian-born Singaporean author Clarissa Goenawan won the prestigious Bath Novel Award for unpublished and self-published novelists for her novel Rainbirds, which—some two years later—is now seeing the light of day.
Shukshin’s Stories is a dramatization of eight short stories by Soviet-era writer Vasily Shukshin (1929-74). If you know little or nothing about him or Moscow’s Theatre of Nations which presented it, you would not—at least among English-speakers—be alone and would have, at least until last night, had me as company. Ignorance may not be bliss, but it can sometimes lead to it.
Ballet, which communicates visually and eschews words, is perhaps the antithesis of literature which does entirely the opposite. So how does one transform an eight-hundred page novel with a dozen important characters and several major plot lines into a two-hour staging using only movement and music? You might well ask.
Exploring identity in a multi-ethnic community through fiction can be a sensitive subject. The importance people place on identity is often a prickly topic these days—especially in multi-religious, multiracial communities like that of Singapore’s five and a half million citizens. In November 2017, the Singaporean Institute of Policy Studies presented evidence that for the first time more Singaporeans identify with the city-state than with their own ethnic lineage. The remaining half of survey respondents, however, still felt a “simultaneous” identity of both Singaporean and racial heritage.