In Turkey: The Insane and the Melancholy, political commentator Ece Temelkuran invites the reader to draw up a chair as she attempts to untangle the complicated, often contradictory, nature of her country’s current political environment.
Integral to the misguided conception of China as unknowably complex is the sheer scale of its history. While historians of the United States, for example, need to cultivate a knowledge base which extends back a few centuries or so, scholars of Chinese history must contend with a national story of anything between three thousand and five thousand years, depending on what you consider “China” to be. Either way, the terrain of Chinese history seems deeply forbidding to the non-specialist, who is left asking the question: how much of China’s history do I need to know in order to understand the country today?
Lee Fook Chee’s Hong Kong: Photographs from the 1950s is a remarkable book with many levels of meaning. It tells the story of a lone immigrant photographer and presents his collection of photographs portraying 1950s Hong Kong. A photo book, and of the highest standards at that, it also brings sharp and fresh research into the social history of the place that invites scrutiny on how it compares itself sixty years later. The entire book, its sum greater than its parts, will delight therefore not only photography aficionados but anyone with a serious interest in Hong Kong.
No opera composer turned to William Shakespeare more often than Giuseppe Verdi, who composed three works, Macbeth, Otello and Falstaff, based on the Bard’s plays. But if it hadn’t been for the persistence of his publisher Ricordi and would-be librettist Arrigo Boito, Verdi might well have stopped at one. He had to be coaxed out of a post-Aida retirement to write Otello, which finally premiered in 1887, sixteen years later.
But Otello was worth waiting for. A masterpiece, a thorough integration of music, words and drama that, astoundingly, manages to illuminate the original work—itself an unequalled masterpiece—on which it is based.
A few weeks after her inauguration, incoming Taiwanese President Tsai Ing-wen of the Democratic Progressive Party said that Taiwan would be re-evaluating its trade links with the Mainland. This was expected after the student-led Sunflower Movement had resisted attempts by the defeated incumbent, Ma Ying-jeou of the Kuomintang, to pass further free trade agreements.
At first glance, this makes sense. The DPP is pro-independence while the KMT still supports the “One China” principle. Thus, one would expect each party’s attitude towards political unification to be correlated with their attitudes towards trade: the KMT would be pro-trade, while the DPP would be anti-trade.
Anthony Giddens and Martin Wolf in London, Thomas Friedman in Washington, Saskia Sassen in New York, John Meyer and Manuel Castells in California … nearly all of the best-known writers on globalization come from the parts of the world that are doing the globalizing, not from the places that are getting globalized.
In Global Exposure in East Asia, Taiwanese sociologist Ming-Chang Tsai tells the story from the other side. People in China, Japan, Korea, and Taiwan have been on the front lines of globalization as waves of economic and social change washed over East Asia.