Shaw Kuzki’s middle-grade novel Soul Lanterns begins in August 1970. A generation earlier, an atomic bomb leveled Hiroshima. Nozomi and her friends have grown up attending yearly memorials and learning about “the flash” in their peace studies class. When a much-loved art teacher takes an unexpected leave of absence, Nozomi begins to wonder about how the war really affected the adults in her life.
In 1929, a young woman sailed from Manila to New York to reunite with an older man who begged her to join him in the United States. Twenty years old at the most—her actual birth year was never clear—she was born from a Filipina mother and a former American soldier previously stationed in the Philippines. The man for whom she was about to stay cooped up in a Washington, DC hotel room for several years was none other than General Douglas MacArthur, three decades her senior and soon to be the Chief of Staff of the US Army.
The title promises racy South Asia noir: what happened, who did it, and whether they got away with it. But Samira Shackle’s Karachi Vice actually concerns the lives of five people in that city, as violence—criminal and political—consumes everything around them. They receive no protection from the state as they go about their daily lives. Through their lives we understand this city, one where criminals fight it out while people around them simply try to survive. This is a book about the after-effects of many crimes.
“The Volga! There is a mystery, a charm in all mighty rivers, which has ever made us gaze upon them with an interest beyond that inspired by other great and glorious sights; but to look on the largest of the European rivers gave a thrill of joy surpassing all former pleasure of the kind.”
Namit Arora’s Indians is, this non-Indian guesses, likely to be read somewhat differently depending on whether or not one is included in the title. For those who aren’t, this is a readable and personable if perhaps idiosyncratic history structured as a travelogue.
The most notable thing about the Hong Kong Academy of Performing Arts’s current run of Wolfgang Amadeus Mozart’s opera Idomeneo is that it is happening at all, a socially-distanced audience and performers all in masks (the medical rather than commedia dell’arte kind) being concessions to the situation.
Riding to join the army in Armenia, Russia’s greatest poet Alexander Sergeievich Pushkin met a ox-cart heading in the opposite direction, carrying a plain box made of planks. “What are you carrying?” the poet asked the carters. “Griboedov”, came the answer. That was Pushkin’s last encounter with his friend, namesake, fellow playwright, diplomat, and now terrorist victim, Alexander Sergeievich Griboedov. Yuri Tynyanov’s 1929 biographical novel describes the last year of the hero’s life and his death, offering a portrait of Russia’s Golden Age of literature as well as a veiled critique of Stalin’s Soviet Union.