Anyone familiar with Fuchsia Dunlop’s work would surely take up any “Invitation to a Banquet” from her. For those unfamiliar with her oeuvre, she has previously written four cookbooks and a memoir covering her time apprenticing at a Sichuanese cooking school, where she was the only non-Chinese student and one of only a handful of women in training; several of these have been nominated for and won awards in the food and travel spheres.
In South Asian urban landscapes, men are everywhere. And yet we do not seem to know very much about precisely what men do in the city as men. How do men experience gender in city spaces? What are the interactional dynamics between different groups of men on city streets? How do men adjudicate between good and bad conduct in urban spaces?
Given the opera’s relative rarity, Musica Viva’s recent production of Wolfgang Amadeus Mozart’s La finta giardiniera must surely have been a premiere of some sort.
In Kerry Brown’s several decades of working in and observing China, he has developed a reputation as one of the more sober and thoughtful observers of the country. For those who value logic and epistemology over rhetoric, Brown’s latest (brief) book won’t disappoint.
Shah Hussain was a 16th-century Punjabi Sufi poet based in Lahore. His kafis, (mostly) short rhymed poetry with refrains, referring to the relationship between God and devotee with metaphors of lover and Beloved, or Murshid (literally, the master but also a metaphor for God as well) and mureed (disciple), are sung and relished even today as rhapsodic expressions of love, longing, and devotion. Considered scandalous by clerics as well as by people in general for his relationship with Madho, a Brahmin boy who became his devotee, he is today venerated as Madho Lal Hussain at his dargah (tomb) in Lahore with Madho buried by his side. Sarbpreet Singh’s new novel The Sufi’s Nightingale turns to this mystic and his strange love story that challenges gender and religious boundaries erected by the people of his time while redefining what it means to be in love.
At the end of Yiyun Li’s newest book, Wednesday’s Child, she explains that she wrote the stories in this collection—most of which originally appeared in The New Yorker—over the last fourteen years. It was also during this time that she lost her father, teenage son, mentor, and close friend. “They live among these pages now,” she explains.
The characters in Nishanth Injam’s The Best Possible Experience, his debut short story collection, are like many in India or in Indian communities in the United States: Working hard and enduring hardships to try to get a better life for themselves. They don’t always succeed—and even those that do lose something along the way.