Manzu Islam’s Godzilla and the Songbird stands as a mosaic of myth and modernity in which the protagonist’s life can be an allegory of the journey of post-colonial East Pakistan to Bangladesh.
A Slight Angle, the newest novel from Indian writer Ruth Vanita, is a story about love. Difficult love—her six characters are growing up in 1920s India, which takes a dim view of same-sex relationships, and those that transcend religious boundaries. Like Sharad, the jewelry designer who falls in love with his teacher, Abhik—only for the embarrassment to keep them apart for decades.
For two decades, Singaporean diplomat and author Kishore Mahbubani has been a leading voice among a growing group of intellectuals and pundits publicizing the “Asian Twenty-First Century”, a triumphalist arc where Asian powers—especially a rising China—have cast off the shackles of Western colonialism to assume their “rightful” place atop in the global hierarchy of nations and civilizations. Mahbubani’s oeuvre, dominated by his series of bestsellers popularizing a tale of Western decline and Asia’s rise, has won recognition from a host of audiences ranging from American internationalists and Chinese nationalists.
The ever-increasing amount of Indian fiction appearing in English translation has been one of the most striking publishing phenomena of the past two decades. But Lakshmi’s Secret Diary comes to us not via Bengali, Hindi or Tamil, but French. That author Ari Gautier hails from Pondicherry, the capital of the erstwhile French territory in India, is part of the story; Gautier however was born in Antananarivo, Madagascar, to a Franco-Tamil father and a Malagasy mother. In Pondicherry, Gautier was educated at the Lycée Français and subsequently emigrated to France.
Migration, especially in literature, is normally seen as having “the West” as its destination. Migration within Asia, from the less affluent to richer places, appears far less often. Singapore, for example, has had a long history as a trading port drawing in merchants and laborers from East Asia, the Middle East, and Europe. Singapore’s colonial history also left in its wake connections with other British colonies like India—and this link is the core of Prasanthi Ram’s Nine Yard Sarees.
The recently-opened exhibition at Hong Kong’s Palace Museum, “The Origins of Chinese Civilisation”, has a serious purpose, but one suspects that most visitors focus on the objects, as well they might.
Today, the Hong Kong Philharmonic is one of the world’s great symphony orchestras. But when John Duffus landed in Hong Kong in 1979 as the Philharmonic’s general manager—its fifth in as many years—he quickly learned just how much work needed to be done to make a Western symphony orchestra work in a majority Chinese city.