Amma and Baba had met several years before they were grudgingly allowed to marry. (Or at least that is what we had been told.) In 1978, Baba traveled with a group of friends from the coastal city of Karachi northwards by train and by bus to Swat where the moustachioed Imran, a fellow student, had his family home in Mingora. Imran, like Baba, was completing his B.Com that year and planned to return to Swat to manage the Pine Cone Inn, a ramshackle guesthouse that his father owned in nearby Kalam. Presenting it as a reconnoitering expedition, a ‘case study’ for his fellow classmates to solve, Imran persuaded his father to allow the six of them to spend a few weeks at the Inn and use their recently acquired knowledge of business models to turn it into a profitable enterprise.
When the end came, it came quickly and, for most of the Japanese inhabitants of occupied Manchuria, unexpectedly. Kiku Kyuzo, protagonist of Beasts Head for Home, was of one of the great many Japanese left behind when Manchuria fell to the Soviet Army in August 1945.
The ASEAN Miracle observes that Southeast Asia is the world’s most diverse region. Although obvious once mentioned, it still seems novel. Southeast Asia’s history is a mix of Chinese, Indian and Islamic influences, with sizable populations of several of the world’s major religions. Yet despite this and its complicated colonial and postcolonial history, Southeast Asian countries have fought no major wars between them over the past half-century. The most significant war in Southeast Asia, the Vietnam War, involved an extra regional power: namely, the United States.
For those who had been living under Western imperialism in Asia, the sudden loss of presumed superiority in almost all things political, social, and cultural of the European colonial powers after Japan’s sudden attack in late 1941 was a seminal event. Japan’s own, often violent, experiment in colonial administration that immediately took its place, lasting through to the summer of 1945, and its attempts at pan-Asianism reinforced for the many that the “civilizing” project need not demand colonial masters from abroad.
There is much to admire in Salvatore Babones’s short book American Tianxia. It is a welcome corrective to the often-unchallenged conventional wisdom that the 21st century belongs to a rising China that is fast overtaking US global predominance.
What better subject for satire than new money and those spending it? The wealthy suburbs of Delhi provide rich pickings for Diksha Basu who sets her tale of social jockeying amid its denizens.
Nicholas Gordon interviews Kishore Mahbubani, author of The ASEAN Miracle.