In her introduction to the Best Asian Short Stories 2017, editor Monideepa Sahu offers a number of notes and considerations into some of the questions that might be asked of this volume: What is this book about? How did it happen? What is Asia and the stories from it?
William Atkins has done extensive and presumably rather expensive research for The Immeasurable World. He writes from first hand experience of visiting eight deserts as diverse as the empty quarter of Oman and the famous Burning Man Festival in the United States. Each gets an extended essay with similar components. So, no rides for days on end with just a camel for a friend, but Atkins, to his credit, does manage at each of the deserts he visits to get some sand in his shoes and some camel hair in his oatmeal porridge.
Given the present ubiquity of reviews and commentary on “Crazy Rich Asians”, it’s worth remembering that the hit film was once a (hit) book, and the first of a trilogy. Here are our reviews, plus a review of a book by an entirely different author that preceded Crazy Rich Asians and presciently hinted at what was to come.
An updated compilation of reviews for Women in Translation month (August 2018). Please click on the title for the review, translator and publisher information.
That Convenience Store Woman is a delight to read probably goes without saying: it reached bestseller status in Japan and now is selling very well in English translation. The short novel by Sayaka Murata (an author and part time convenience store worker) is about thirty-six-year-old Keiko Furukura, who has worked half of her life in a branch of Smile Mart, a Tokyo convenience store. Working there she has found a kind of peace in the orderly store procedures and customer interaction dictates.
Opera Hong Kong’s summer semi-staged performances showcase local singers; this year’s production was Wolfgang Amadeus Mozart’s Die Zauberflöte. The fact that this work is more commonly known by its English name, The Magic Flute, is an indication that it is somewhat unusual: it’s known as a “singspiel”, or “sing-play”, which, like a musical, has spoken dialogue between the singing.
The German political geographer Friedrich Ratzel once wrote that “Great statesmen have never lacked a feeling for geography… When one speaks of a healthy political instinct, one usually means a correct evaluation of the geographic bases of political power.”