In 1935, Ruth Day paid a six-week visit to her mother and step-father who were at that time living in Shanghai. When she returned, she published a short book on the trip. The book had a run of just 200 copies and seems to have quickly disappeared—but at least one copy found its way to the New York Public Library, where it was found by then PhD candidate Andrew Field, who contributed an introduction to its republication.

Art, Cult and Commerce: Japanese Cinema Since 2000, Mark Schilling, Tomoki Watanabe (illus) (Awai Books, November 2019)
Art, Cult and Commerce: Japanese Cinema Since 2000, Mark Schilling, Tomoki Watanabe (illus) (Awai Books, November 2019)

From popular genre films to cult avant-garde works, this book is an essential guide to Japan’s vibrant cinema culture. It collects two decades of the best of Mark Schilling’s film writing for Variety, Japan Times, and other publications.

In the dead of winter, a Frenchman arrives at a small guest house in Sokcho where Franco-Korean author Elisa Shua Dusapin’s narrator works in a dead-end job as receptionist and run-about. Sokcho is a nondescript seaside town not far from the North Korean border. In the summer, Sokcho is a beach resort, if not the most upmarket; in winter, there is not much going on.

The Philippine economy has, relative to both its history and many other parts of the world, seen something of a recent boom. Yet although the poverty rate has plunged by about a third in the three years to 2018, Filipinos leaving their country for a future abroad still abound. Longtime New York Times reporter Jason DeParle explores global migration through a tightly-woven biography of a Filipino migrant family in A Good Provider Is One Who Leaves: One Family and Migration in the 21st Century.