Perhaps all travel writers should come home in the end.
Even as Singapore marks two hundred years since Englishman Stamford Raffles set up an East India Company factory there, the citystate is promoting another date. In 1299, according to the Malay Annals, a Srivijayan prince, Sri Tri Buana, arrived at the island then known as Temasek and founded Singapura. The motto of the bicentennial is “from Singapore to Singaporean” and the idea is that to understand what it means to be Singaporean today the events from 1299 on needs to be considered. Seven Hundred Years: A History of Singapore details this story.
There always comes a time when, as people age, events move from being “within living memory” to “history”. There is even more urgency to capture these voices in a place like China where, for reasons of war and turmoil, fewer voices were, on the whole, captured at the time.
More than 70 percent of the thousands of documented migrant workers who depart Indonesia for overseas jobs each year are women. The reason for this remarkable statistic is simple: the well-established demand for Indonesian housemaids in the wealthier countries of the region, particularly Singapore, Hong Kong and Malaysia. Around 45 percent of registered foreign domestic workers in Hong Kong are Indonesian; in Singapore the figure is 60 percent.
Drawing on examples from Myanmar, Thailand, Malaysia, Indonesia and the Philippines, the authors discuss some aspects of sound in relation to their ethnographic context.
It has been more than three decades since the passing of the great French economic historian, Fernand Braudel, but his adventurous influence runs deep in Angus Forsyth’s remarkable illustrated essay on the Silk Road—the lanes of transport between East and West that linked China, India, Africa and the Mediterranean before the era of motor vehicles. Braudel’s genius was in his ability to highlight the intimate detail against the grand canvas of history, and his approach to storytelling fundamentally shifted the way history is presented, whether in the curating of museum exhibitions or histories of leaders and transformative events. It’s the detail that counts.
Julius Caesar wrote that “All Gaul is divided into three parts.” So too is Anna Fifield’s The Great Successor.