In The People’s Money, Chatham House’s Paola Subacchi discusses the internationalization, or relative lack thereof, of the renminbi. The subject can be rather like a room of mirrors if one does not follow developments in international currencies, but for those that do, the book serves as a clear overview of the history and the issues, both in general and those facing Chinese policy-makers in particular.
Mud, blood and other body fluids: this novel takes no prisoners in its portrayal of prostitution in today’s Mumbai. Yet against this sometimes upsetting backdrop, author Anosh Irani presents a compelling tale of dignity and sacrifice.
The title refers to Kinjal, a ten-year old girl who has been trafficked from her village in Pakistan. She is kept in a cage in the attic of a brothel to prepare her for “opening”. The story, however, focuses more on her keeper, an aging eunuch called Madhu.
China today is ruled by a party-state totalitarian dictatorship. That is the conclusion of Stein Ringen’s thoughtful and careful analysis in his new book The Perfect Dictatorship. It is a conclusion that will be unpopular and challenged in Asian and other world capitals, where it is a strongly held belief (or hope) that China’s government is a “normal”, traditional authoritarian regime and can be dealt with accordingly.
Vietnam is often featured in Western media and culture as the battleground where the US actually lost a war in the 20th century. This is unfortunate because it obscures a fascinating Southeast Asian nation that is now on the cusp of significant economic growth and prosperity. Vietnam: A New History presents a more comprehensive account of the country by explaining how it came about, originating as a collection of tribal entities in the north over two thousand years ago that coalesced into kingdoms that gradually expanded, combined, and suffered colonization by the French before becoming united in the 20th century after a brutal war with the US.
How do you forge an identity for yourself if—depending on how you look at it—you are either half this nationality and half that nationality, or both this nationality and that one, or neither this nationality nor that one? And what sorts of relationship does fiction bear to fact? The Fortunes explores such questions through the lives of four Chinese Americans, one a figure only glimpsed in history, two of them well-documented historical figures, and one of them invented from scratch. All four of them are here treated as characters in linked novellas that build to a novel, and all of them are intimately, and movingly, realized.
The dynamics between the central administration in imperial Chinese dynasties and local levels of administration since the first unification under the short lived Qin in 220 BCE and the ways in which the shadow of these persist to this day is an enormous subject. It is curious, as Jae Ho Chung points out in the preamble to this short but intense and highly rewarding monograph, why so little attention has been paid to this subject.
2016 was not just the 400th anniversary of the death of William Shakespeare but also of Miguel de Cervantes, the latter being the occasion for staging a rather unusual concert—at least by the standards of the usually conservative Hong Kong classical music scene—at the City Hall Theatre on 9 November.